call the director the aw-tour,â she explained, âbecause thatâs French for writer.â
âI donât know what weâre talking about,â Dortmunder said, âbut I think Iâm getting caught up in it. Why do they do it in French?â
âI donât know. Maybe because itâs more classy. Like chifferobe.â
âLike what?â
She could sense the whole thing getting out of hand. âNever mind,â she said. âThe point was, you could be the aw-tour on this kidnapping idea. Like a movie director.â
âWell, I think that whole aw-tour theory isââ He stopped, and his eyes squinted. âWait a minute,â he said. âYou want me to do the job!â
She hesitated. She clutched her paper napkin to her bosom. But there was no turning back now. âYes,â she said.
âSo you can take care of the kid!â
âPartly,â she said. âAnd also because all of these late-night burglaries arenât good for you, John, they really arenât. You go out and risk life imprisonment forââ
âDonât remind me,â he said.
âBut I want to remind you. If you get caught again, youâre habitual, isnât that right?â
âIf I stay away from Kelp,â Dortmunder said, âI wonât get caught. And if I stay away from him, my luckâll get better. Iâve had a string of bad luck, and itâs all from hanging around with Andy Kelp.â
âLike tonight? That store going out of business? You havenât seen Kelp for two weeks, not since you threw him out of here.â
âIt takes time to wear off a jinx,â he said. âListen, May, I know Iâm not pulling my weight around here, but Iâllââ
âThatâs not what Iâm talking about, and you know it. These small-time stings just arenât right for you. You need one major job a year, that you can take some time on, do it right, and feel comfortable with a little money in the bank afterwards.â
âThere arenât any of those jobs any more,â he said. âThatâs the whole problem in a nutshell. Nobody uses cash any more. Itâs all checks and credit cards. You open a cash register, itâs full of nickels and Master Charge receipts. Payrolls are all by check. Do you know, right here in Manhattan, thereâs a guy sells hot dogs on a street corner, heâs on Master Charge?â
May said, âWell, maybe that shows Kelp has a good idea. You can take the story in that book, and adapt it around, and turn it into something. Andy Kelp couldnât do it, John, but you could. And it wouldnât just be following somebody elseâs plan, youâd adapt it, youâd make it work. Youâd be the aw-tour.â
âWith Kelp for my actor, huh?â
âIâll tell you the truth, John, I think youâre unfair to him. I know he gets too. optimistic sometimes, but I really donât think heâs a jinx.â
âYouâve seen me work with him,â Dortmunder said. âYou donât think thatâs a jinx?â
âYou didnât get caught,â she pointed out. âYouâve been collared a few times in your life, John, but it was never while you were working with Andy Kelp.â
Dortmunder glowered over that one, but he didnât have an immediate answer. May waited, knowing sheâd presented all the arguments she could, and now all she could do was let it percolate through his head.
Dortmunder frowned toward the opposite wall for a while, then grimaced and said, âI donât remember the book so good, I donât know if it was such a hot idea in the first place.â
âIâve still got it,â she said. âYou could read it again.â
âI didnât like the style,â he said.
âIt isnât the style, itâs the story. Will you read it again?â
He looked at her. She