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tiptoe and spitting three times into this old witch's face.
    However, Mo just laughed. "You haven't changed, Elinor," he remarked. "A tongue as sharp as a paper knife. But I warn you, if you harm Meggie I'll do the same to your beloved books."
    Elinor's lips curled in a tiny smile. "Well said," she answered, stepping aside. "You obviously haven't changed either. Come in. I'll show you the books that need your help, and a few others as well."
    Meggie had always thought Mo had a lot of books. She never thought so again, not after setting foot in Elinor's house.
    There were no haphazard piles lying around as they did at home. Every book obviously had its place. But where other people have wallpaper, pictures, or just an empty wall, Elinor had bookshelves. The shelves were white and went right up to the ceiling in the entrance hall through which she had first led them, but in the next room and the corridor beyond it the shelves were as black as the tiles on the floor.
    "These books," announced Elinor with a dismissive gesture as they passed the closely ranked spines, "have accumulated over the years. They're not particularly valuable, mostly of mediocre quality, nothing out of the ordinary. Should certain fingers be unable to control themselves and take one off the shelf now and then," she added, casting a brief glance at Meggie, "I don't suppose the consequences would be too serious. Just so long as once those fingers have satisfied their curiosity they put every book back in its proper place again and don't leave any unappetizing bookmarks inside." Here Elinor turned to Mo. "Believe it or not," she said, "I actually found a dried -up slice of salami used as a bookmark in one of the last books I bought, a wonderful nineteenth-century first edition."
    Meggie couldn't help giggling, which naturally earned her another stern look. "It's nothing to laugh about, young lady," said Elinor. "Some of the most wonderful books ever printed were lost because some fool of a fishmonger tore out their pages to wrap his stinking fish in. In the Middle Ages, thousands of books were destroyed when people cut up their bindings to make soles for shoes or to heat steam baths with their paper." The thought of such incredible abominations, even if they had occurred centuries ago, made Elinor gasp for air. "Well, let's forget about that,"
    she said, "or I shall get overexcited. My blood pressure's much too high as it is."
    24

    She had stopped in front of a door that had an anchor with a dolphin coiled around it painted on the white wood. "This is a famous printer's special sign," explained Elinor, stroking the dolphin's pointed nose with one finger. "Just the thing for a library door, eh?"
    "I know," said Meggie. "Aldus Manutius. He lived in Venice and printed books the right size to fit into his customers' saddlebags."
    "Really?" Elinor wrinkled her brow, intrigued. "I didn't know that. In any case, I am the fortunate owner of a book he printed with his own hands in the year 1503."
    "You mean it's from his workshop," Meggie corrected her.
    "Of course that's what I mean." Elinor cleared her throat and gave Mo a reproachful glance, as if it could only be his fault that his daughter was precocious enough to know such things. Then she put her hand on the door handle. "No child," she said as she pressed the handle down with almost solemn reverence, "has ever before passed through this door, but as I assume your father has taught you a certain respect for books I'll make an exception today. However, only on the condition that you keep at least three paces away from the shelves. Is that agreed?"
    For a moment Meggie felt like saying no, it wasn't. She would have loved to surprise Elinor by showing contempt for her precious books, but she couldn't do it. Her curiosity was too much for her. She felt almost as if she could hear the books whispering on the other side of the half-open door. They were promising her a thousand unknown stories, a thousand doors into