other children. There was something wild in his nature;
some part of him that remained untamed, unsocialized. When he sat there at table it
was
as if he held himself in check. There was such stillness in him that when he moved
it was like something dead had come alive again. Yet he was more alive – more vividly
alive – than
anyone the T’ang had ever met.
As he handed Ben the bowl he almost expected to receive some kind of shock – a violent
discharge of the child’s unnatural energy – through the medium of the bowl. But there
was
nothing. Only his wild imagining.
The T’ang looked down, thoughtful. Ben Shepherd was a breed of one. He had none of
those small refinements that fitted a man for the company of his fellows. He had no
sense of give and
take; no idea of the concessions one made for the sake of social comfort. His stare
was uncompromising, almost proprietorial. As if all he saw was his.
Yes, Li Shai Tung thought, smiling inwardly. You should be a T’ang, Ben Shepherd,
for you’ll find it hard to pass muster as a simple man.
He lifted his bowl and sipped, thinking back to earlier that afternoon. They had been
out walking in the garden when Hal had suggested he go with him and see Ben’s room.
He had stood in the centre of the tiny, cluttered upstairs room, looking at the paintings
that covered the wall above the bed.
Some were lifelike studies of the Domain. Lifelike, at least, but for the dark, unfocused
figures who stood in the shadows beneath the trees on the far side of the water. Others
were more
abstract, depicting strange distortions of the real. Twins figured largely in these
latter compositions; one twin quite normal – strong and healthy – the other twisted
out of shape, the
eyes blank, the mouth open as if in pain. They were disturbing, unusually disturbing,
yet their technical accomplishment could not be questioned.
‘These are good, Hal. Very good indeed. The boy has talent.’
Hal Shepherd gave a small smile, then came alongside him. ‘He’d be pleased to hear
you say that. But if you think those are good, look at this.’
The T’ang took the folder from him and opened it. Inside was a single ultra-thin sheet
of what seemed like pure black plastic. He turned it in his hands and then laughed.
‘What is
it?’
‘Here,’ Shepherd indicated a viewer on the table by the window, then drew the blind
down. ‘Lay it in the tray there, then flick that switch.’
Li Shai Tung placed the sheet down in the viewer. ‘Does it matter which way up?’
‘Yes and no. You’ll see.’
The T’ang flicked the switch. At once the tank-like cage of the viewer was filled
with colour. It was a hologram. A portrait of Hal Shepherd’s wife, Beth.
‘He did this?’
Shepherd nodded. ‘There are one hundred and eighty cross-sectional layers of information.
Ninety horizontal, ninety vertical. He hand drew each sheet and then compressed them.
It’s
his own technique. He invented it.’
‘Hand drew… ?’
And from memory. Beth wouldn’t sit for him, you see. She said she was too busy. But
he did it anyway.’
Li Shai Tung shook his head slowly. ‘It’s astonishing, Hal. It’s like a camera image
of her.’
‘You haven’t seen the half of it. Wait…’ Shepherd switched the hologram off, then
reached in and lifted the flexible plate up. He turned it and set it down again.
‘Please…’
The T’ang reached out and pressed the switch. Again the viewing cage was filled with
colour. But this time the image was different.
The hologram of Hal Shepherd was far from flattering. The flesh was far cruder, much
rougher than the reality, the cheeks ruddier. The hair was thicker, curlier, the eyebrows
heavier and darker.
The nose was thick and fleshy, the ears pointed, the eyes larger, darker. The lips
were more sensual than the original, almost licentious. They seemed to sneer.
Shepherd moved closer and