sweater and sea green ascot tucked in the neck of a turquoise crepe de chine shirt. For Trueblood, this was a costume downplayed. âThank God, another day in the stews and sweats is finished.â
Marshall Trueblood could afford anything but sweat. He was fond of slandering his own antiques business located in the small Tudor building next door, a thriving shop despite Long Piddletonâs slender population. It prospered because it drew on a London clientele, among them some very knowledgeable dealers. Business was also helped along by the patronage of the two â even richer than Trueblood â who shared the table.
âItâs only just gone five,â said Vivian Rivington with a melancholy air. Winterâs dregs left the trio with little to do but comment on one anotherâs departure from the norm. âYou donât close until six,â she said, shaking her watch.
âThereâs no custom. I left a sign on the door to check over here if someone wants a distressed bureau. Whatâre you reading, Melrose?â he asked as Scroggs set drinks before them.
Melrose Plant turned it cover-out so that his friends could see.
âThe Plum-Pudding Group. Strange title. Cheers.â He raised his glass.
Vivian was squinting at the name of the author. âItâs another one of that Pollyâs, isnât it?â
âIâm afraid itâs not very good. But donât tell her.â
âSheâs not around to tell,â said Vivian with just a touch of fractiousness. âI donât understand what your relationship is.â
âCareful, careful, Vivian. Youâre not one to talk of engagé involvements.â
âYouâre so right, Melrose,â said Trueblood. âIs this another Christmas youâll not be spending with the ill-starred Franco of Florence?â
âVenice,â she said, a little waspishly.
âDid you get bad news in your letter?â Trueblood dashed a bit of ash from the end of his black Sobranie and smiled roguishly.
Vivianâs eyes narrowed. âWhat do you mean, in my letter?â
âWhy, the one you must have got this morning. The one in your pocket.â
The hand that had strayed to the pocket of her cardigan was brought back quickly to make a fist on the table.
âPostmarked Venezio.â
âJust how do you know?â
âIf Miss Quarrels must sort the post by spreading it out on the counter like a cardsharp, is it my fault?â
âAnd you went to the trouble of reading it upside-down!â
He had brought out his little gold nail-clipper. âNo, I turned it right-side up.â
âSnoop!â
â¢Â  â¢Â  â¢
Hearing her cue, Lady Agatha Ardry appeared in the Jack and Hammerâs doorway, making her snowy entrance with a shake-out of her cape and a stamp of her shoes. âI looked in your windows, Mr. Trueblood,â she said to Marshall Trueblood even before she called to Dick Scroggs for her double shooting sherry. âItâs not six, Mr. Trueblood. Your shop should be open. But then if custom means so little  . . . my dear Plant, I was just bucketing along to Ardry End ââ
Doing her rounds like Miss Crispâs terrier, thought Melrose, turning a page and finding Lady Dasher dead in the hydrangeas . . . .
ââ and I passed a car ââ
Lucky for the driver. Usually she just drove into them. Agatha had acquired an old Morris Minor that looked like her: rounded dome and dumpy body.
ââjust coming down the drive as I drove in. Woman driver, thirtyish, brown hair, black Porsche ââ
âNumber plate?â
âWhat?â
âSurely, you got the number so we can run it through Scotland Yardâs computer system. They do wonders finding hot cars these days ââ
âDonât be daft, Plant. Well, she got straight away before I could stop her. Who is she,