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teeth exposed between shriveled black lips, flesh pocked and blistered and oozing, bloodshot eyes bulging and weeping vile fluid from lesions of decay. She tried to scream and pull away from him, but she could only continue to dance, listening to the overly sweet romantic strains of “Before the Next Teardrop Falls,” aware that she was seeing Joey as he would be in a few years, after he had died in the Marine-barracks explosion in Lebanon. She felt death leeching from his cold flesh into hers. She knew she had to tear herself from his embrace before that mortal tide filled her. But when she looked desperately around for someone who might help her, she saw that Joey was not the only dead dancer. Sally Ontkeen, who in eight years would succumb to cocaine poisoning, glided by in an advanced stage of decomposition, in the arms of her
    boyfriend who smiled down on her as if unaware of the corruption of her flesh. Jack Winslow, the school football star who would be killed in a drunken driving accident in less than a year, spun his date past them; his face was swollen, purple tinged with green, and his skull was crushed along the left side as it would be after the wreck. He spoke to Lindsey and Joey in a raspy voice that didn't belong to Jack Winslow but to a creature on holiday from a graveyard, vocal cords withered into dry strings: “What a night! Man, what a night!”
    Lindsey shuddered, but not solely because of the frigid wind that howled through the partly open chopper doors.
    The medic, his face still in shadows, was taking her blood pressure. Her left arm was no longer under the blanket. The sleeves of her sweater and blouse had been cut away, exposing her bare skin. The cuff of the sphygmomanonieter was wound tightly around her biceps and secured by Velcro strips.
    Her shudders were so pronounced that they evidently looked, to the paramedic, as if they might be the muscle spasms that accompanied convulsions. He plucked a small rubber wedge from a nearby supply tray and started to insert it in her mouth to prevent her from biting or swallowing her tongue.
    She pushed his hand away. “I'm going to die.”
    Relieved that she was not having convulsions, he said, “No, you're not that bad, you're okay, you're going to be fine.”
    He didn't understand what she meant. Impatiently, she said, “We're all going to die.”
    That was the meaning of her dream-distorted memories. Death had been with her from the day she'd been born, always at her side, constant companion, which she had not understood until Jimmy's death five years ago, and which she had not accepted until tonight when death took Hatch from her.
    Her heart seemed to clutch up like a fist within her breast. A new pain filled her, separate from all the other agonies and more profound. In spite of terror and delirium and exhaustion, all of which she had used as shields against the awful insistence of reality, truth came to her at last, and she was helpless to do anything but accept it.
    Hatch had drowned.
    Hatch was dead. CPR had not worked.
    Hatch was gone forever.
    … she was twenty-five years old, propped against bed pillows in the maternity ward at St. Joseph's Hospital. The nurse was bringing her a small blanket-wrapped bundle, her baby, her son, James Eugene Harrison, whom she had carried for nine months but had not met, whom she loved with all her heart but had not seen. The smiling nurse gently conveyed the bundle into Lindsey's arms, and Lindsey tenderly lifted aside the satin-trimmed edge of the blue cotton blanket. She saw that she cradled a tiny skeleton with hollow eye sockets, the small bones of its fingers curled in the wanting-needing gesture of an infant. Jimmy had been born with death in him, as everyone was, and in less than five years cancer would claim him. The small, bony mouth of the skeleton-child eased open in a long, slow, silent cry …

5
    Lindsey could hear the chopper blades carving the night air, but she was no longer inside the craft.