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indicated to Lawrence the existence of a small village of date farmers only a few hours from Rabegh, and of another settlement farther on along a valley that would give the Turks an opportunity of flanking Feisal’s army and attacking Rabegh, or, alternatively, marching south from well to well to isolate Rabegh and attack Mecca. Neither Emir Abdulla nor Emir Ali had thought to mention this interesting feature of the topography around Rabegh, which Lawrence instantly realized made the idea of placing a British brigade there both risky and pointless. Hitherto, whenever Sharif Hussein had been alarmed by signs of a Turkish advance, he had requested the immediate dispatch of a brigade, while the British had hesitated, unwilling to commit troops when so many were needed elsewhere; but whenever the British, alarmed by events in the Hejaz, had offered a brigade, the sharif had always turned it down at the last minute, saying that his people would object to the presence of Christian soldiers. Now it was clear to Lawrence that placing a British brigade in Rabegh would be useless, even in the unlikely event that General Wingate agreed to provide one, and at the same time, Sharif Hussein agreed to accept it.
    Adding to Lawrence’s vast store of knowledge was his long-standing passion for military history, tactics, and strategy. Castles had fascinated him since his childhood, and as a boy he had visited, sketched, and measured the remains of most of the great castles in Britain and France,traveling phenomenal distances by bicycle. As an undergraduate at Oxford he visited the great crusader castles of the Near East; indeed his thesis at Oxford, which won him a “first"—so brilliant a success that his tutor at Jesus College gave a lavish “dinner to the examiners to celebrate it"—was The Influence of the Crusades on European Military Architecture—to the End of the XIIth Century, with maps, architectural plans, and photographs by himself (it would eventually be published as a book).
    Lawrence never did things by half. His interest in medieval fortifications and armor led him naturally to a broader study of military thinking. His friend and biographer in later life, the distinguished British military historian and philosopher of war B. H. Liddell Hart, would praise Lawrence’s “astonishingly wide” reading of military texts. That reading began when Lawrence was only fifteen, with what he himself dismissed as such “schoolboy stuff” as “Creasy’s Fifteen Decisive Battles of the World, Napier’s History of the War in the Peninsula, Coxe’s Marlborough, Mahan’s Influence of Sea-Power on History, Henderson’s Stonewall Jackson” He went on to Procopius and Vegetius, and from there to the Germans: Clausewitz, Moltke, Freiherr von der Goltz; then, working backward, to Jomini and Napoleon. He “browsed” his way, as he put it, through all thirty-two volumes of Napoleon’s correspondence, then moved on to the earlier French writers on war: Bourcet (of whose book there was said to be only one copy in England, in the War Office library), and de Saxe.
    Liddell Hart would compare Lawrence to Napoleon * (favorably), though Lawrence himself never made such a claim. In part this was because his admiration for Napoleon as a general would eventually be eclipsed by his admiration for Marshal Maurice de Saxe, the great eighteenth-century French general (though he was in fact of German and Polish descent), and author of a remarkable work on the art of war, Mes Rêveries, which was to have a great effect on Lawrence (and later, in World War II, on Field Marshal Montgomery).
    The generals in Cairo may be forgiven for not noticing that they had a budding military genius in their midst in the person of Temporary Second-Lieutenant and Acting Staff Captain T. E. Lawrence. But even before the war he had begun quite consciously to develop as a kind of sideline to archaeology and literature what Napoleon called le coup d’oeil de génie, the