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and the-Work men followed amaz'd. But he had expir'd at once. There was a contusion in his Head which I could not forebear from Noticing as I bent over the Body: the Blood ran out of his Mouth as out of a Bowl, and carne pouring upon the Ground. All those around stood stiff like a Figure, motionless and speechless, and I could hardly refrain from smiling at the Sight; but I hid my self with a woeful Countenance and advanc'd up to the Father who was ready to sink down with Grief (indeed the Death of his Son work'd hard upon his Bowels, and dragg'd him by degrees after him to the Grave). A littel Crowd of People was looking on with their What is the Matter? and Is he quite dead? and Poor creature, but I waved them away. Then I held fast to Mr Hill, and stayed silent to help Compose him: He has fled out of his Prison, said I at last, but he looked on me strangely and I stopp'd my self. The Mason was now quite stupid with Sorrow; he was alwaies a sullen and dogged Fellow but in his Grief he sett upon God and Heaven at a very foull rate, which pleased me mightily. I kept my Silence but this Reflection was rowling about my Mind as I gazed at the little Corse: He is pretty in Death because he did not feare it. Then the Father made to unbuckle his son's shooes, for I know not what Purpose, but I led him away and spoke to him gently.
    At any rate, I said, give him leave to be buried where he fell and according to Custom: to which in his Agony he assented. Then he began to spew soundly.
    And so all this was given to my Purpose: there is a certain ridiculous Maxim that The Church loves not Blood but this is nothing to the Case for the Eucharist must be mingled with Blood. Thus had I found the Sacrifice desir'd in the Spittle-Fields, and not at my own Hands: I had killed two Birds, as they say, and as I coached it from White-chappell I rejoyced exceedingly. I am in the Pitte, but I have gone so deep that I can see the brightness of the Starres at Noon.
     
    AT NOON they were approaching the church in Spitalfields.
    Their guide had stopped in front of its steps and was calling out, 'Come on! Come on!'. Then she turned to face them, her left eyelid fluttering nervously as she spoke: 'You have to use your imagination on a building like this. Do you see the decay? It should be lovely and clean, like the top.' She pointed vaguely at the steeple, before bending down to brush some dirt or dust off the edge of her white raincoat. 'What was that falling there?', one of the group asked, shielding his eyes with his right hand so that he might look more clearly at the sky around the church tower, but his voice was lost in the traffic noise which had only momentarily subsided: the roar of the lorries as they were driven out of the market in front of the church, and the sound of the drills blasting into the surface of the Commercial Road a little further off, shook the whole area so that it seemed to quiver beneath their feet.
    The guide rubbed her fingers with a paper handkerchief before beckoning the group onwards; they hurried from the vicinity of the noise into the apparent chaos of streets and alleys beside the church, hardly noticing the people who stared at them incuriously. Then they stumbled into each other on the narrow pavement as their guide came suddenly to a halt and, in the relative quiet of this place, adopted a more intimate tone: 'Are there any Germans here?' and she went on without pausing for a reply, 'It was the great German poet, Heine, who said that London defies the imagination and breaks the heart'.
    She looked down at her notes, and a murmur of voices could be heard from the houses closest to them. 'And yet there are other poets who have said of London that it contains something grand and everlasting.'
    She glanced at her watch, and now the group could hear the other sounds of the street: the murmured voices were mixed with words from radio or television, and at the same time various kinds of music seemed to fill the street