fordreamsâeverything in the universe is made of daisy particles. The daisies come together to form larger particles by interlocking in a chain formation. No one is entirely sure what holds the chains together, but Claireâs advisor imagines them like the daisy garlands that children wear as crowns.
In theory a daisy chain could pop in and out of existence, just like the individual daisy. In theory your entire bodyâsince every atom in it is nothing but a complex collection of daisiesâcould also pop in and out of existence.
âIsnât that amazing?â he asks the crowd.
On the top of the conference program, Walker draws two flowers and gives them arms and legs and hands to hold. The figures are like cave paintings. Me, man. You, woman. This, love.
He writes,
Want to be in my chain gang?
and slides the program across his knee to Claire. She smiles and grabs the pen. She doodles a penis on one figure and breasts on the other. They have to avoid eye contact or else theyâll lose it.
After the lecture, a handful of people gather in a small white room with mahogany tables, where they quietly sip red wine in groups of two and three. Claireâs advisor meanders over with a barely suppressed grin on his face.
âAnd?â
âBrilliant,â Claire says.
Within only a few seconds, the two of them are lost in daisy revelry and Walker can only nod and smile. âWeâre stretching math to the breaking point,â her advisor says, turning to Walker. âItâs almost unmath. One and one arenât two, but onetyone.â Her advisor has his hand on Claireâs elbow, cupping it, as if proppingit up. If he lets it go, her elbow might go crashing to the floor like a satellite from space. But when he walks away again, at last, Walker is pleased that her elbow stays put at her side.
âHeâs got a thing for you,â Walker says.
âThis again?â
âNot that I can blame him.â
âEven if he did,â she says, âitâs not like Iâve got one for him.â
On the way home, because of construction on the bridge, they have to take a detour through another neighborhood. Claire knows these streets better than him but, against her advisement, he takes a left turn. The road dead-ends in front of an old farmhouse, its giant gray shutters flapping in the wind like moth wings. It is early summer, perfectly warm, and they have the car windows rolled down. To turn around he backs their Jeep into the driveway, the brakes squealing. Another car has turned onto the street behind them. They pass it on their way back to the main road, a pearly gray Lexus. The driverâs face is obscured by lights across the glass, but Walker can see that he has a military haircut, the gray lines sharp around his ears, the seat belt tight against a white oxford shirt. But his features are blurred. He could be anyone. Even Alan.
Walker waits until they are back on the main street before asking what he wants to ask. Has she ever wondered if Alan is really out there somewhere? Thatâs he not just a dream? What if heâs real and dreams heâs married to a woman named Claire?
âVery funny,â she says. âI donât think so.â
âYou should ask him. What do you normally talk about?â
âThe usual stuff. Books, movies. What to fix for dinner.â
âSo in the dream, youâre definitely still you?â
âWho else would I be?â
âAnyone. A prairie wife, a criminal, whatever. One time I dreamed I was the king of Europe.â
âThere is no king of Europe.â
âRight, but the point is, some people dream about being someone else. And apparently you donât. Youâre you, and Alan is Alan.â
She shrugs. Theyâve reached the house. He parks the car along the curb, lined with tall shapely pear trees, their wilted white blossoms pressed flat into the sidewalk that leads to the front door.