than what sheâd already seen.
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âSAY again, Pammy, I couldnât have heard you right.â
âYou heard me right, V. The horrid thing talks. And lights up in honest-to-God neon colors. And he wants one like it in his courtyard.â Sitting on the edge of the king-sized bed in her opulent suite, Pamela pulled off one of her stiletto pumps and rubbed the arch of her foot.
âThe courtyard in the gorgeous Italian villa-like home?â
âThe very same.â
âBloody buggering hell.â
âMy thoughts exactly,â Pamela said.
âItâs worse than Venus rising.â V snorted. âSilly tripod.â
The term made Pamela laugh, as it always did. Tripod, Vernelle had explained to her when they had begun working together three years ago, was a lesbian slang word for a man. V was most definitely a lesbian. Not a man-hating, cynical lesbian. Vernelle Wilson liked men. She just didnât like sleeping with them. She had explained it to Pamela like this: âMen bore me. After Iâve been with one for a little while I think Iâd rather blow my brains out than wake up next to him and listen to his inane, manly blather for the rest of my life. Now women . . .â Her hazel eyes had sparkled and her grin had turned her face pixielike. âWomen I can listen to forever.â
And that was one of Vernelleâs many strengths: listening to women. She never rushed a decision from any female client, and she seemed to innately understand exactly what one meant when she wanted âthat purpley-blue shade somewhere between the night sky and a pansy.â
Although not formally educated in interior design, Vernelle was a professional artist and graphic designerâas Ruby Slipperâs amazing Web site and unique logo could attest to. She had an eye for color and texture; she was also a sharp businesswoman. Hiring V as her assistant had been the first of many savvy decisions Pamela had made when she began her own business. V liked to say that it showed how highly evolved Pamela was that she had chosen her over the bevy of gay guys who had applied for the job.
Pamela stifled her laughter before it became hysterical. âI donât know, V. This may be the job that I canât turn tasteful. I mean, please. He wants Roman Liberace. Totally tacky.â
âHey, itâs too early to give up. And remember, itâs Friday night, and youâre in Vegas.â
âYeah, yeah, yeah. Whatever. More importantly, how is the Katherine Graham project coming? Youâre obviously still breathing, so she must not have driven you to suicide yet.â
âHey, give me some credit. I like the old broad.â
âSure, like as in you like going to the dentist,â Pamela said.
V laughed. âNo, really. Sheâs growing on me. I still hate her zillions of cats, and I have no idea how a woman who chain smokes and drinks brandy like itâs water can still be alive and kicking at eighty-seven, but her raunchy sense of humor has become almost charming.â
âAnd her color scheme is . . .â
âIâve talked her out of the purples and pinks. Weâve practically decided on yellow, sage green, and a hint of red. When we get done with the exterior, that gihugic Victorian will look like itâs ten years old rather than one hundred and ten.â
âThen weâll get to work on the inside.â
Together, Pamela and Vernelle sighed.
âSo, thatâs going well. How about the Starnes reupholster job?â
âItâs fine, Pamela. And so is the flooring for the Bates formal living room and the window treatments for the Thackerys. Would you please not worry about work? You tied up all the loose ends before you leftâand I can take care of the ongoing jobs. If I get stuck on anything new, Iâll call you.â
âPromise?â
âAbsolutely. And hey, hereâs a thought. How about you take some
Melinda Metz, Laura J. Burns