Existentialist Detective and Non-Linear Cognition”. It’s all about superseding the paradigm.’
‘We’ve managed well enough without superseding it so far but I’m always open to new ideas.’
Calamity began to read. ‘Traditional detective methods which rely on deductive reasoning are premised on the belief that life makes sense. This is a mistake. Normally, life only makes sense in novels and movies where events are shaped by the hand of a creative artist. In the real world events are born of contingency and are frequently shaped by the hands of people who are often clinically insane. Thus, because no rational process can be discerned behind the events of life, deductive reasoning is not best suited for unravelling its mysteries. In the past one means of countering this problem was the frequent use of the policeman’s hunch which proceeds by non-linear and counter-intuitive methods and aims to break the straitjacket of conventional thinking. Deployed successfully the hunch often re-arranges the pieces of the jigsaw in such a way that old paradigms are superseded. Though a reliable method of unravelling stubborn mysteries, the hunch suffers from the drawback that it occurs but rarely and, crucially, is not subject to conscious control. The advanced detective seeks to summon up the paradigm-busting thinking that hallmarks the hunch by deliberately entertaining hypotheses that are absurd.’ She put the article down and looked across.
Before I could think of something to say, the phone rang. Calamity answered. She wrote something down, thanked the caller and hung up. ‘That was Mooncalf. He’s arranged for us to spend tomorrow morning with Meici Jones the spinning-wheel salesman. This is his address.’
‘Did we ask him to arrange that?’
‘I don’t think we told him not to.’
That night the sky over the beach at Ynyslas had the translucence of a cathedral window on a moonlit night. I opened the door of my caravan to air the inside and went to sit on the brow of the dune behind. For the first time in days, the night was cool. The heat had gone with the setting of the sun, and a soft breeze wafted in off the sea and raised goosebumps on grateful flesh. The beach was dark, the tide far out, you sensed it rather than saw it. On the horizon there was a thin band of lighter blue, the same shade as the neon letters on the ‘Eats’ signs that flash above so many diners down this coast. I lay back on the sand, felt the rasp under my hair, the sharp ends of the marram grass spiking my cheek. I kicked my shoes and socks off and buried my toes in sand that was still hot. In the morning the same sand would feel as cold as bathroom linoleum on a winter’s morn. There was no sound, not even the customary susurration of the sea, it was leaden, unmoving; the sand grains stopped tumbling and hissing like snares on drums; not even a dog dared to bark.
The noise of a van pulling up disturbed the silence. A door slid open, followed by the crunch of a man jumping down on to gravel. I sat up and looked over. He was outside my caravan, knocking on the door. He was wearing a light summer macintosh and a panama hat with the brim pulled down low over his eyes; it didn’t look like the postman. In this twilight he could have walked up to the caravan carrying a bloodstained chainsaw and no one would have batted an eye, but the hat brim pulled down was like a big advertising hoarding announcing nefarious intent. I could hear a thousand net curtains rustle, hear the quiet melancholy of eyes staring out in the night at a stranger. I climbed to my feet and wandered down the face of the dune, annoyed at the intrusion. He climbed the caravan steps and peeked inside.
‘If you’re selling encyclopaedias you’re wasting your time, the guy in there already knows everything.’
He turned to face me. ‘Looks to me like he needs a brush salesman.’ He stepped down off the step. ‘Or maybe I’m not here to sell anything, maybe I
Dorothy Salisbury Davis, Jerome Ross