impossible. You have more experience with this than most, but always you are lost for the right things to say. So you say other things.
âSure is dirty water,â you say. âI donât think I could throw myself into that.â
âBecause itâs dirty,â she says flatly.
âUh-huh.â
âI see. So this is what you do for fun.â
You move along the rail, away from her.
âWhat is that move?â she says harshly. âYou know, you could just say âShut up, Angela. Thatâs not true. Youâre wrong,â instead of doing that slither-away maneuver.â
âYouâre wrong,â you say.
âSo slither on back then.â
You do. âFor fun?â you ask.
âYa, what do you do for fun?â
âI like bocce ball. And, you know, I do the shopping and other stuff for my grandparents. Stuff like that.â
Now she looks like she will be the one slithering away. But she doesnât, yet.
âThatâs not fun, thatâs minimum security.â
Something comes out of you now. Unusual. Unheard of. It frightens you, doesnât it? Because it doesnât come out of your eyes or your pores or your nose. It comes out of you , from somewhere in the diaphragm region and sounds as foreign to your ear as Mandarin Chinese.
Is that a laugh?
âWas that a laugh, just come up out of you, or are you gonna be sick?â
You have a hand on your belly. âI think Iâm okay,â you say.
That must be how skydiving feels. Terrifying but thrillingat the same time. Youâre thinking about that right now, arenât you, as you look down. Skydiving.
âThereâs no doubt about this one, huh?â Angela says. âHe did it.â
âHe did. I suppose. Thereâs always doubt. But . . .â
âThey still donât know about her, though. Not for sure.â
âNever will,â you say. âNever can. A person takes that with them, no matter what the cops or anybody think they know. Nobody ever knows whoâs responsible for anything if they donât see it with their own eyes. Or even if they do see it. Nobody knows anything, thatâs what I think.â
âYou donât really think that, do you?â
âYes I do.â
âCome on. I think maybe he did it. Thatâs what I think. Did her, then himself. A guy would do something like that.â
You couldnât possibly speak any slower than this. âCannot know. Nobody can know what happened.â
âWhat if they find a note? Thatâll tell it, for certain.â
You shake your head.
âWhat do you mean, no?â
âIf you are not inside someoneâs head, or they are not inside yours, then how can you ever know one hundred percent anything about them?â
Sometimes, even if you are in the head. You still canât know. Isnât that so?
The sun is coming up, pale and milky in an unclear morning sky. The water below, looking like Willy Wonkaâs chocolate river now in daylight, is going past faster than you thought.
âIs this what youâve been carving these things for all along?â
âNo.â
âThen what you been carving âem for?â
âI donât know.â
âThen what you bringing them to these places for?â
âI donât know.â
âWhat do you get out of it?â
âI donât know.â
âWhat do you know, Will?â
âNothing, Angela, I donât know a thing.â
With a sudden, spasmodic shove, you are away from the bridge rail. Standing three feet back, and now looking at the wood carving as if it is a surprise guest at your little party, you say to Angela. âI know this: I need to go finish that stupid fat-face little gnome.â
She checks her watch. âYup,â she says, and you start off.
First Angela, then you, as you make your way back over the bridge toward school, pass a hand over the
Margaret Weis;David Baldwin