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‘when beauty is dead?’
     
    * * *
     
    Cut in half by the river Dorssan Ryl, the lands of the Greater House of Dracons consisted of a range of denuded hills, old mine shafts by the score, three woods that had once made up a small forest, a single village of indentured families, modest strip farms bordered by low stone walls, and a series of deep ponds filling abandoned quarry pits, where various breeds of fish were managed. Common land provided pasture for black-wool ahmryd and cattle, although forage was poor.
    These lands marked the northwest border of Kurald Galain, fed by a single, poorly maintained rutted road and a single massive Azathanai bridge, since most traffic plied the Dorssan Ryl, where passage was facilitated by an extensive series of tow-lines and winches; although even these ox-powered machines were left idle during the spring flood, when even at a distance of a thousand paces the roar of the river could be heard from every room of the Great House.
    The hills immediately to the west and north of the keep were mostly granite, of a highly valued dark, fine-grained variety, and this was the lone source of wealth for House Dracons. The Lord’s greatest triumph, however – and perhaps the greatest source of envy and unease prior to his attaining the title of Consort to Mother Dark – was his mysterious ties with the Azathanai. Bold and impressive as was the native Galain architecture, with the Citadel its crowning glory, the masons of the Azathanai were without equals, and the new Grand Bridge in Kharkanas was proof enough of that, a bridge gifted to the city by Lord Draconus himself.
    The thinkers in the court, those capable of subtle consideration, anyway, were not unmindful of the symbolic gesture the bridge represented. But even this proved sufficient cause for bitterness, resentment, and quiet denigration. The witnessing of an exchange of gifts will taste sour when one is neither giver nor recipient. By this measure station is defined, but no definition holds for long, and gratitude is thin as rain on the stones from a single cloud on a sunny day.
    If words were carved upon the massive stones of the Grand Bridge, they were well hidden. Perhaps, if one were to moor a boat beneath the span, using one of the massive stone rings so cleverly fitted there, and shine a lantern’s eye upward, one might find row upon row of Azathanai script. But in all truth this is probably a fancy and nothing more. Those who lived on and worked the river in Kharkanas did not mingle with the highborn, nor the artists, painters and poets of the time, and what they saw was their business.
    Did they dream of peace, those grimy men and women with the strange accents, as they slipped past in their craft above depthless black waters? And where they walked, beyond the city, out where the banks were worn down and the silts were black along the shorelines, worshipping that kiss of water and land, did they fear the time to come?
    And could we – oh gods, could we – have ever imagined the blood they would sacrifice in our name?
    There will be peace
.

TWO
     

     
    THE CANDLES PAINTED the air gold, made soft the pale sunlight streaming in from the high, narrow windows. There was a score of them affixed to a disparate collection of holders – as many as could be spared from unused rooms of the keep – and more than half were melted down to stumps, their flames flickering and sending up tendrils of black smoke. A servant stood watchful nearby, ready to replace the next one to surrender its life.
    ‘See the genius in his vision,’ Hunn Raal said under his breath, a moment later catching young Osserc’s cautious nod from the corner of his eye. There was risk in speaking at all. The man working the bristle brushes through pigments on the palette and then stabbing at the surface of the wooden board was notorious for his temperament, and the scene was already tense enough, but Hunn had judged his comment a sufficient compliment to