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that disafternooned him?
    I found Mrs Grouse in the kitchen. ‘Where have you been?’ she demanded crossly, adding before I could answer, ‘A note has come for you,’ and she produced an envelope that she opened, taking out the single sheet inside and unfolding it. She put on her spectacles and peered at it. ‘It’s from young Mr Van Hoosier,’ she said, and then began to read.
Dear Florence,
    I am sorry I cannot come today. Asthma is my companion this afternoon. Doctor called, strenuous exercise forbidden. Please continue to skate and do a circuit or two for me.
    The note ended with a poem:
To Florence I would make a trip
    But asthma
    Hasma
    In its grip
    I liked that. It wasn’t exactly Walt Whitman. But it was better, much better.
    As she folded the note and handed it to me (although what she thought I, whom she supposed unable to read, could do with it, I do not know) Mrs Grouse said, ‘You must pay a visit to the Van Hoosiers, to ask after him. It’s what they would expect. It’s what a young lady should do.’
    ‘But…’ I was about to say I never visited anywhere, for I never had. Giles and I had never played with other children, for we knew none. This was one reason why I so concerned for him at school. But Giles leaving home and all the Theoing I’d had had changed all that. I saw that now.
    ‘Very well, I’ll go in the morning.’
    And Mrs Grouse smiled and I could feel her eyes on my back as I walked off to the kitchen to ask Meg what sweet pastries she might have for me to take to Theo.

6
    I don’t know when the nightwalks started, for I had had them as long as I remembered, and of course, of the walks themselves I recalled nothing, except the waking-up afterward in strange places, for example the conservatory, and once in Mary’s room up in the attic, and several times in the kitchen. I knew, though, how the walks always began; it was with a dream, and the dream was every time the same.
    In it I was in bed, just as I actually was, except that it was always the old nursery bedroom which was now Giles’s alone but which I used to share with him, until Mrs Grouse said I was getting to be quite the young lady and ought not to be in a room with my brother any longer. I would wake and moonlight would be streaming through the window – oftentimes, though far from always, the walks happened around the time of the full moon – and I would look up and see a shape bending over Giles’s bed. At first that was all it was, a shape, but gradually I realised it was a person, a woman, dressed all in black, a black travelling dress with a matching cloak and a hood. As I watched she put her arms around Giles and – he was always quite small in the dream – lifted him from the bed. Then the hood of her cloak always fell back and I would catch a glimpse of her face. She gazed at my brother’s sleepingface – for he never ever woke – and said, always the same words, ‘Ah, my dear, I could eat you!’ and indeed, her eyes had a hungry glint. At this moment in the dream I wanted to cry out but I never could. Something restricted my throat; it was as though an icy hand had its grip around it and I could scarce get my breath. Then the woman would gather her cloak around Giles and, as she did so, turn abruptly and seem to see me for the first time. She would quickly pull her hood back over her head and steal swiftly and silently from the room, taking my infant brother with her.
    I would make to follow but it was as though I were bound to the bed. My body was leaded and it was only with a superhuman effort that I was finally able to lift my arms and legs. I would sit up and try to scream, to wake the household, but nothing would come, save for the merest sparrow squawk that died as soon as it touched my lips. I would put my feet to the floor, steady myself and walk slowly – my limbs would still not function as I wished them to, in spite of the urgency of the situation – to the doorway. There I would look in