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to Bitty Belina's prince? Was he in the new life she was living? And her three suitors? And the good angel? And what of Wissa, the evil stepmother? Would Belina die in this new life rather than be saved for her prince, by her prince, as she always had been before?
        A new life? How was that possible? He, Sebastian, was the assistant. It could never happen that he would wake up one morning as the puppet master with Pertos having taken his placel A person was what he was, and nothing changed about that. You lived your life, over and over, and you accepted and enjoyed it. Bitty Belina played out her story, was almost killed by the evil stepmother, was saved. Over and over again. And he, Sebastian, moved from town to town with Pertos and unloaded the truck and watched creation and waited behind the curtain before each performance and drank some wine and ate and packed the truck and rode on with Pertos and unloaded the truck and watched creation—
        You couldn't change your life!
        The prince wouldn't be there and the stepmother would succeed and she would die. Yet how could she die when she had lived her life so often and always triumphed. How could she want to change her life and maybe die?
        And would she be so dead— so dead that the Furnace would not be able to bring her back again?
        He was whimpering.
        He knew something was awfully wrong. The world seemed to have become unstable, the floor like jelly, the walls shimmering and threatening to change shape and be something different.
        If she did not perform the script, her original life, the machine wouldn't revive her when she died. She had never been meant to die outside of the Furnace. It was written that way. Just as he had not been meant to be puppet master. Or a tree, for that matter. We are what we are. We aren't what we aren't. And anyone who changes it, they die. They must die, or nothing would be solid and real any longer. Belina with a sword through her neck, bubbling blood through her lips while the prince runs away with Wissa—
        Belina with a knife in her belly, bleeding all over his hands and screaming and begging for help and making him afraid.
        Blood, blood, blood on his hands, as before, once, then—
        He looked at his hands.
        No blood.
        He stood up and looked at Pertos.
        Pertos dreamed.
        Sebastian staggered from the room, his legs unexplainar bly weak, his shoulders aching, his arms tired, as if he had dragged some burden across a long and rugged terrain. He was not certain what must be done, but he was determined to do it to save Bitty Belina.
        Blood on his hands.
        Would they think he killed jenny, stabbed her, or would they believe his story?
        He stopped there in the middle of the long corridor behind the stage in the Grande Theater of Springsun, wondering who Jenny was. He could not remember anyone by that name, although he did think of golden hair when he heard it. It scared him when he did not understand himself. It was as if someone else had entered his head and was thinking for him, but their own memories were intruding and he kept confusing them with things and places and people he knew.
        He heard puppet laughter.
        He started down the hall again.
        His head seemed to balloon, swell enormously, until it was larger than all the rest of him. He held his hands to his ears, as if to keep himself from exploding.
        Perhaps it was a hundred years, perhaps a minute, before he reached the door of Pertos' room where Bitty Belina was performing her new life, her dangerous new life. He stood outside, breathing hard and wanting to charge inside and save her. But he didn't dare because of two quick memories that darted through his clouded mind: First, Pertos had told him that Bitty Belina would be awkward in her new role and wouldn't want Sebastian to see her until she had gotten it all down as well as she