villagers held a festival of darkness. A buffalo was slaughtered to ensure that the dead would have good eating and leave the living in peace. Two birds held in a bamboo cage were released. Martiya watched them circle over the village twice and fly off into the ebony forest.
A year after her death, Piers accepted a position as professor of linguistics at the University of California at Berkeley. He and Martiya packed up the little hut. They gave away almost everything to the villagers, even Areta's books, which were accepted gravely but with utter incomprehension by the Tobaku villagers, who, lacking a script for their own language, had little use for a hardcover edition of
Pride and Prejudice
on India paper.
Elena van der Leun told me one more thing: when Martiya left the village, she spoke Uma like a native. Within several years, she remembered the language only in occasional dreams. But for the rest of her life, if asked to state her ethnicity, either on a form or by someone curious about the origins of her round eyes, black hair, and flat features, she would always respond that she was
topo'uma
—a user of the Uma language, the same response any villager who lived near the mighty Lariang River in southern Kulawi District would have given.
THREE
"FOR
NIXON
?"
I GOT BACK TO CHIANG MAI and wrote my piece about the sculptor, then for the
Bangkok Times
I wrote fifteen hundred words about a jazz trio that played nightly in the lobby of the Amari Hotel. I phoned both the Dutch and the American consulates, looking for details into Martiya's case, but neither consul had much to tell me: official records of both governments were sealed; the personnel who might have recalled details of her case had long since transferred to new posts. She must have been represented by a lawyer at trial, I figured, but I had no idea how to find him; I called another lawyer, who informed me that the details of legal proceedings in Thailand are not available to the public. Elena van der Leun had told me all that she could: her biography of Martiya ended effectively at age six, with Martiya's arrival in California. Piers spent the rest of his career at Berkeley, but Elena did not know much beyond that: there had been a fight over an inheritance; Martiya had been very far away. I let the story slide.
Martiya's story interested me, but Thailand was full of strange stories and inexplicable mysteries: one morning when I woke up, from my balcony I found a troupe of elephants marching through the neighborhood, led by a wiry mahout; a baby elephant looked at me with huge, curious eyes; and then the elephants disappeared from view past the bend in the road that led toward the Westin Hotel. I couldn't explain the elephants either, or why they were walking around my middle-class Chiang Mai suburb. That fall, Rachel explained to chubby Morris how to add up numbers, even big ones, and she tried to teach Maria how to tell time, who found the whole business so tricky that for a while just looking at a clock was an invitation to tears. When the class arrived at the unit on families, Najda, a little angel who took great delight in ratting out the wrongdoings of the other children, gravely explained to Miss Rachel that she lived with her mommy from Thailand and her
other
mommy from Malaysia and her daddy from America all in the same house; the situation, Najda explained with precocious tact, was "very sensitive." There was a haunted house for Halloween, until the third-graders got too rambunctious and stepped on the papier-mâché ghosts and had to have a time-out; on the first full moon in November, like everyone in Thailand, we thanked the spirits of the waters by decorating hearts-of-palm
kratong
with flowers, incense, and candles and setting them adrift on the muddy-brown river.
The rainy season tapered off and the cool season began: the cool season is northern Thailand's spring, and Chiang Mai was filled with flowers—glorious orange trumpet, which
Mari Carr and Jayne Rylon