neckline. Work it, baby!â
We were both giggling the whole time.
âItâs fun with you here,â Anna said, posing in a plaid short skirt, fishnets and black zippered tank top. âI donât want you to leave.â
âMe neither,â I said. I never thought Iâd say that, but the country was way better than I expected. Especially with Anna around.
That night, after everyone was asleep, I crept out of the house with a flashlight in one hand and my drawing stuff in the other. I was itching to get back to my portrait of Frida. I had to make it the best drawing ever.
As soon as I got out to the porch, a shudder went through me. It sure got dark in the country. I shone the flash-light on the barn. It was about fifty feet away.
I took a deep breath and ran. The darkness pressed on my back in a terrifying way, like when someone chases you up the stairs. I slid the door open and leaped into the barn, sliding it closed behind me.
Frida was lying on her side in her stall, awake and breathing heavily. Her big belly must have been a lot of work to haul around. It seemed to stick out even more than it had earlier that day. She glanced up at me.
I tugged the cord to turn on the dangling light bulb beside the Frida Kahlo self-portrait on the wall. Then I pulled up a stool and got to work on my drawing. My hand started to move and sketch without me even having to think about it.
After a while I set my sketchbook down and looked at what Iâd done so far. I let out a little squeal of joy. I couldnât believe how well it was turning out.
I yawned. My eyes were starting to go blurry. I could work more on the portrait the next day.
âGoodnight, Frida,â I said and snapped off the light.
Chapter Ten
I had only been asleep a few minutes when a familiar voice called, âMaddie! Maddie!â
My mother was shaking my shoulder to wake me up.
âWhatâs going on?â I said, my voice louder than I expected.
âShhh!â My mom looked around, nervous. âWeâre leaving. Hereâs something for you to wear.â She pressed a bundle of clothes into my arms.
I was way too sleepy for all this. âWhat are you talking about?â
As my eyes adjusted to the darkness, I saw that our bags were packed, next to the door.
âWeâre leaving. Now. Before those farmers wake up. This experience is not at all what I expected. Iâm sick of dealing with that stupid garlic, and youâre always off with Anna. Saying inappropriate things about me.â Her voice was hoarse, the way it got when she was angry.
âI tried to tell you I was sorry!â
âThis discussion is closed. I consulted the tarot, and I got the Queen of Wands. Weâre doing the right thing by leaving.â
This couldnât really be happening. âMom, we canât leave! Iâm drawing Annaâs cow for the art contest. I have to stay to finish it.â
âWeâll find some other farm with cows for you to draw.â She pulled on my arm to get me out of bed.
I pushed her away. âMom, you were the one who wanted to come here. Iâm not leaving.â I crossed my arms and stayed in bed.
My mom grabbed the bags and opened the door. I could see my sketchbook and pencils sticking out of my duffel bag.
âIâm going to the car,â she said.
I jumped up and followed her. I had to get my drawing stuff back. In the hallway we ran smack into Klaus.
My mom and I gasped.
âWere you woken by the hubbub?â Klaus said, grinning. âIf you want to see a calf being born, now is the time. Anna and Ruth are out in the barn with the veterinarian.â
I couldnât believe it. I had just been out in the barn with Frida, and now she was giving birth.
Klaus turned to go back outside, cup of coffee in hand.
My mom whispered to me, âNowâs our chance, while theyâre distracted. Letâs go.â
âIf you think Iâm leaving