was a space. A neutrality. Her eye and mind could find no purchase in it.
Jann stood perfectly still. Her muscles seemed to relax, as though they understood that all this was finally ending.
The hooded figure’s cloak whispered as it took a step towards her. Its arms were held demurely in front of it, the hands folded below the cloak-folds of its chest. The hands were five-fingered, slender, longer than a human’s, and now they rose up to push back the hood.
‘No’, Jann wanted to say. Nothing more than ‘no’. It was all she could think of. But the hood fell back.
It was Jann’s own face she was looking at, and it made her weep. The beautiful maiden-face, upturned to watch the white moon, the sacred circles shining on its skin. One of Jann’s own hands crept up and wonderingly traced the lines of her own features.
Then the face opposite her began to change. It stretched, deformed. It became a caricature of itself, an exaggerated travesty of grotesque eyes, canted cheekbones, a tapered chin and high forehead that mocked the lines of Jann’s own… her own…
…face.
Her hands pressed in on the side of her head. The figure opposite her did not move, except that now its features changed again. Now it became a bestial face, a vermin face. Crude and gawping, the features lumpy, meaty, the eyes muddy, the mouth slack. A repulsive face. An alien face. The face she had carried all her life.
Jann’s fingers began to work. She dug them into herself, drawing blood with her broken and dirty nails. She found sweaty, gritty skin on which her fingers skidded, and smooth and cool skin with a firmness that her touch did not recognise. She dug and gouged and a bright bolt of madness sheared through her. Her fingers seemed to slide into her very flesh and she could feel her skull soundlessly parting. Her thoughts whirled and swarmed out of her into the cooling air like moths. She felt herself split and part. There was a sensation of bone cracking, tissue tearing, but no sound, no blood, no physical pain.
The white mask landed softly at her feet.
And now there was no kinship left with any of these strangers, no familiarity. There was the stink of blood and offal where poor sweet slow-talking Heng lay dead, and the butchered body of twinkle-eyed Crussman, and here she stood, and what was her name now? What was her name?
She jerked and fell backwards, rolled, got her feet under her by nothing more than blind chance, and ran, shrieking and wailing, not a scrap of mind left in her any more. She ran with nothing more than a merciful roaring void inside her, a perfect hollow, and her course took her away from the strangers, away from the gantry, towards the edge of the roof-deck. The rail was not high, and she hit it at a flat run.
Jann was still thrashing her limbs as she fell, trying to flee, but it was only a moment before the packed earth at the tower’s foot ended it.
Quietly, without haste, they assembled on the roof. They made their way up through the stunted, squalid spaces where the animals had lived. They moved in soft procession, angular and high-stepping like bright wading birds, moving through precise sequences of poses both careful and utterly relaxed. Their colours and masks flickered gently in the dusk. None of them spoke.
They made a circle around the roof, then the circle became a spiral, leading them inwards, until they broke the spiral and spread into a pattern that made the fire-rune, the rune of lost glory and the dream of rekindling, with Ehallech at its crux.
Ehallech carried a bright mask in his hands, the Fire Mask, the visage of Vaul. Ehallech was learning the craft of the weaponwright and the myths of the crippled god of the forge had great meaning for him. It was only right that he be the one to take the mask from Gallardi, whose corpse now lay next to Tokuin’s amid silenced machines below them.
The troupe broke after a moment and then silently formed around Lhusael, who carried the dark-green