and second floors, where the guests were housed. There was but one way in, masked by a tall green hedge; and inside, there was peace and almost silence, all street noises excluded. Room-boys dressed as rajas made off with the baggage, but they turned out to be one of the trimmings of every hotel, even the most modest, and were amiable enough at very low cost. The new arrivals lingered only long enough to stop feeling stunned, and to extract from their bags the coats which Felder insisted they would need in an hour or so. Then they were borne away to the two villas near Hauz Khas, on the most southerly fringe of the city, where a couple of trucks and a large saloon car had just unloaded the exhausted company from Mehrauli.
The din of voices was deafening but reassuring; who could feel inhibited or a stranger where the general babel made it possible to talk nonsense and not be brought to answer for it? And the array of faces, several of them still in make-up, baffled memory and withdrew names, making it necessary, after a while, to enquire discreetly about the dominant members of the collective; but that was taken for granted, and everyone answered cheerfully for himself. In a large, charming, rather bare room, with tall windows looking out on a neglected garden, they circulated and ate and drank, and in an unexpected fashion were at home. The girls – there seemed to be several girls – kept disappearing, and coming back with something freshly cooked. Everything was improvised, but everything worked. It might not be Indian – how could they judge? – but it was calming and reassuring and just what they needed.
Ashok Kabir sat cross-legged on a cushion, and cradled his sitar in his arms, its long, beautiful, polished body reclined upon his shoulder, the twenty moveable frets gleaming and quivering like nerves along its slender teak neck, the larger sounding gourd at the base of the throat nuzzling his heart. Six main strings, so they said, and nineteen sympathetic ones! And those strings were the reason why the fingers with which he controlled them were gashed deep, and never could be healed. And we think western music is a hard apprenticeship!
‘… so Prince Siddhartha was born to the King Suddhodana and his Queen Maya,’ said Ashok in his soft voice, ‘and all the auguries were auspicious, though a little puzzling. The wise men told the king that his son would certainly be a very great leader, there was only some doubt as to
what kind
. They said that if ever the prince was allowed to set eyes on an old man, a sick man, a dead man and a holy monk, then he would be the lord of a very great kingdom, but not of this world. And as the king preferred that his son should go on ruling after him in the normal and profitable way of this world, he took good care to bring up Siddhartha in a kind of benevolent imprisonment, surrounded by every kind of pleasant diversion, and excluded from him all sickness and ugliness and pain. And when he grew up they married him successfully to the most beautiful of all the noblewomen of the land…’
‘Thank you, darling!’ said Kamala sweetly, and bowed her acknowledgements with hands prayerfully pressed together and head inclined. She wore a white silk sari embroidered with green and silver thread, and looked rather like the Indian Miss World, only more so. She was, according to Felder, as clever as she was beautiful, and nearly as acquisitive, and it had cost plenty to get her to play the heroine.
‘… the sweet Yashodhara… with whom in any case he was already in love, and she with him…’
‘Naturally!’ murmured Kamala, with a glance at the statuesque figure and consciously splendid countenance of her lord Siddhartha, holding court on the other side of the room with a fresh lime soda in one hand. ‘Who could help it?’
They had seen that face on one of the outsize posters in Janpath or Irwin Road, early that evening. There was no mistaking it. Felder had translated the
Piper Vaughn & Kenzie Cade