Ellis Peters - George Felse 07 - The Grass Widow's Tale

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Authors: Ellis Peters
and silken and fine swung forward and flowed over Bunty’s hand, encircling her frozen fingers in the curled ends of long, straight blonde hair.
    The girl coiled up between the tool-box and the spare wheel was dead and stiffening. Until that blind touch disturbed her, she must have been lying like a child asleep. Her dark coat was unbuttoned over a cream-coloured sweater, and in the breast of the sweater, even by this curious, lambent half-light, a small round dot of darkness could be seen, crusted and rough-edged like a seal, the only indication of the manner in which she had died.
    Bunty crouched, staring, her hands at her mouth, numbed and cold with shock.
    So this was why that girl of his was never going to have the chance to let him down again, this was why he had to get out of here to-night at all costs. This was how their quarrel had ended.

----
CHAPTER III
    « ^ »
    A hand reached past her shoulder and slammed the boot shut. And if there had ever been a moment when she could have turned and run, with a hope of eluding pursuit in the trees, it was already over, had passed unrecognised while she stood there incapable of utterance or movement, all her senses stunned with horror.
    She had heard nothing, had seen nothing but the slight, contorted body before her; but something had roused him, the cold air as the car door opened, the cautious sound of the latch closing again, maybe even some subconscious instinct of self-preservation that needed no help from the physical senses. For there he was at her back, recoiling now to evade her touch, in case shock gave her the reckless courage to attempt any move against him, edging silently along the side of the car to show to her, and hide from anyone else who might choose this of all moments to come by, the small black gun levelled at her heart. His hand was still steady. And the evidence was there between them, hidden now but unforgettably present, that the gun was loaded, and that he knew how to use it.
    “Keep quiet,” he said, in a thread of a voice that had the tension of hysteria. “If you make a sound or a move, I shall kill you.”
    She was deathly quiet, and frenziedly still. Numbness clogged all her senses, but somewhere within her burned a core of intelligence frantically alert to all the possibilities, and quick to guard itself from any mistakes.
    “My God, my God,” he said in a howling whisper, to himself rather than to her, “why did you?…
why did you
?”
    Yes, why, she thought, her mind lost in this drugged body, groping like a sleepwalker, why did I? Because I felt responsible for you! See what it gets you, feeling responsible! This is involvement gone too far. But there wasn’t any turning back; none for him, and none for her. She said nothing. As yet she had no voice, she couldn’t have screamed for help even if the round black muzzle of the gun hadn’t been trained on her with its one hypnotic eye. Screaming is, in any case, harder than you might suppose. It takes an experience of this kind to teach you how tough a resistance your sensible flesh, mind and spirit put up to believing in danger and death. Such things happen at a dream-distance, to others; never to you. When they do crop up in your way, like some skeleton apparition in a medieval legend, you don’t believe in them. Not until you’ve had time to acclimatise. By which time it is too late to take avoiding action.
    But this was reality. She wasn’t at home in bed, dreaming it. There he was, in the soft, diffused light, rigid and quivering, but a hundred per cent awake and alert and dangerous, staring at her with bruised eyes now wide-open and impersonal as fate in a shadowless, porcelain face, over the gun which had become a third—no, a fourth—character in this impossible scene.
    She looked down at the closed lid of the boot, and there was a tress of pale hair glimmering over the rim.
    “Lock it,” he said. And when she stooped mechanically to turn the key: “No… that hair…

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