held on, but there were moments in there when I felt like a spider clinging to her web during a typhoon.
The address Jonathan gave me was inside something called the Crab Orchard Estates. I wasnât sure what that wasâit sounded like some kind of nineties real estate agentâswet dreamâbut I had a sense of where it must be. I aimed the bike toward the Crab Orchard wildlife preserve and took the shoreline road until I spied a gated community spreading its way west and north along the edge of the water. There was a check-in box with a black man sitting inside. When I pulled up, he leaned closer to the window and slid back the glass.
He said, âLittle damp today.â
âI donât know, Iâm thinking of building an ark.â
âProbably more practical than, say, a motorcycle.â
âProbably,â I said. Everybody was a comedian. âLet me ask you, you know where I can find Temple Beckettâs place?â
âShe know youâre coming?â
âWhat Iâm told.â
This was getting down to business. He produced a clipboard and looked holes in it. He flipped some pages and put the clipboard back on its hook. He picked up a phone and dialed, but I guess no one answered because after a moment he set it down again, too.
âShe ainât called down about anyone, and I canât raise the house. Whatâd you say your name is?â
âSheâd probably have called me Slim.â
âThat a coal mine thing?â
âHowâd you guess?â
âYou got a bucket tied to your scooter there,â he said. He sighed. âI let you go up and something happensâsomething ainât supposed to happen, I meanâIâm the oneâs gotta answer for it.â
âWell, maybe I could leave something here with you. You know, some kind of collateral.â
He lifted an eyebrow.
âLeave something? Like what?â
âMy union card, maybe.â
âYou even got a union card?â
âNope.â
âDidnât think so. These days, I donât know anyoneâs got one. Theyâre like unicorns.â
âGetting to be.â
He waved his hand at me.
âGo on up. Just donât do anything come back on me,â he said, and gave me some sense of the direction I should go. Then he said, âYou know, I used to be in the mines my own self. Worked a scratchback mine up at Olney years ago. My father worked it, and his brother, and some cousins of mine, and I swore I never would but damned if I didnât. Iâll tell you, that was something like a hell on earth.â
âFive-foot seam?â
He leaned forward in the window a little. The rain beaded on his short, silver hair and eyebrows.
âLemme tell you, weâd have strangled our mothers for five-foot coal. You ever heard of Kelvinâs Scratch-Ass Mine?â
âCanât say.â
âWell, that was us. The Scratch-Ass Boys. Four feet in most places. Couple three-and-a-half foot spots. Like that old song, âThirty Inch Coal.â You know that one?â
âI heard it once or twice.â
â Ridinâ on a lizard in thirty-inch coal ,â he sang. His voice was soft but deep, and it sounded like history. âIt was like that. You raised your eyebrows, youâd hit the ceiling. You got so you had scabs all up and down your back and spine and on your knees and hands. My wife ainât like those scabson my hands. Calluses, neither. Bought me this cream to use. Smelled like some kind of flower, lilacs, and wouldnât you know thatâs what those other Scratch-Ass sonsofbitches ended up nicknaming me. Lilac. I couldnât wait to get out of there, and after twenty years I finally did, and itâs nice not being Lilac anymore, but look where I ended up. Sitting in a damn box all day.â
âLeast itâs got a high ceiling,â I said.
âYeah, but itâs dull. Go on up, Slim.
David Sherman & Dan Cragg