Double Star
indignant at the idea that anyone should even think about that oaf Trowbridge for a role for which I was being considered. "That arm-waver! That word-mouther!" I stopped, realizing that it was more dignified to ignore such colleagues-if the word fits. But that popinjay was so conceited that- well, if the role called for him to kiss a lady's hand, Trowbridge would fake it by kissing his own thumb instead. A narcissist, a poseur, a double fake-how could such a man live a role?
                Yet such is the injustice of fortune that his sawings and rantings had paid him well while real artists went hungry.
                "Dak, I simply cannot see why you considered him for it."
                "Well, we didn't want him; he is tied up with some long-term contract that would make his absence conspicuous and awkward. It was lucky for us that you were-uh, 'at liberty.' As soon as you agreed to the job I had Jock send word to call off the team that was trying to arrange a deal with Trowbridge."
                "I should think so!"
                "But-see here, Lorenzo, I'm going to lay it on the line. While you were busy whooping your cookies after Brennschluss I called the Go For Broke and told them to pass the word down to get busy on Trowbridge again."
    "What?"
                "You asked for it, shipmate. See here, a man in my racket contracts to herd a heap to Ganymede, that means he will pilot that pot to Ganymede or die trying. He doesn't get fainthearted and try to welsh while the ship is being loaded. You told me you would take this job-no 'ifs' or 'ands' or 'buts'-you took the job. A few minutes later there is a fracas; you lose your nerve. Later you try to run out on me at the field. Only ten minutes ago you were screaming to be taken back dirtside. Maybe you are a better actor than Trowbridge. I wouldn't know. But I know we need a man who can be depended on not to lose his nerve when the time comes. I understand that Trowbridge is that sort of bloke. So if we can get him, we'll use him instead, pay you off and tell you nothing and ship you back. Understand?"
                Too well I understood. Dak did not use the word-I doubt if he would have understood it-but he was telling me that I was not a trouper. The bitter part about it was that he was justified. I could not be angry; I could only be ashamed. I had been an idiot to accept the contract without knowing more about it-but I had agreed to play the role, without conditions or escape clauses. Now I was trying to back out, like a rank amateur with stage fright.
                "The show must go on" is the oldest tenet of show business. Perhaps it has no philosophical verity, but the things men live by are rarely subject to logical proof. My father had believed it-I had seen him play two acts with a burst appendix and then take his bows before he had let them rush him to a hospital. I could see his face now, looking at me with the contempt of a trouper for a so-called actor who would let an audience down.
                "Dak," I said humbly, "I am very sorry. I was wrong."
                He looked at me sharply. "You'll do the job?"
                "Yes." I meant it sincerely. Then I suddenly remembered a factor which could make the part as impossible for me as the role of Snow White in The Seven Dwarfs. "That is-well, I want to. But--"
                "But what?" he said scornfully. "More of your damned temperament?"
                "No, no! But you said we were going to Mars. Dak, am I going to be expected to do this impersonation with Martians around me?"
                "Eh? Of course. How else on Mars?"
                "Uh ... But, Dak, I can't stand Martians! They give me the heebie jeebies. I wouldn't want to-I would try not to-but I might fall right out of the characterization."
                "Oh. If that is all that is worrying

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