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Infinitely pleased with his own endless cleverness, the firebird fixed his beak in an idiotic grin.
    The best sparklies-the very, very brightest and the shiniest of things-came from places where many people stood on guard! With great, mincing steps, the firebird slipped out of hiding and began to creep his way along the crest of Orlando Toporello's roof. With each pace, the bird stretched his long neck this way and that, scanning cautiously about himself in a ludicrous pantomime of stealth.
    The city was fun! Of all the discoveries of the bird's humdrum life, this had been the one moment of crowning glory. No more mountaintops, no more trees and fruit, and endless, dreary days. The bird had tasted a fabulous new world-a world so wonderful the creature almost couldn't help but sing!
    The bird's name, Tekoriikii, meant many things to many beings. In the ancient language of his close cousin the phoenix, it translated as: "He who rises early, singing." Alternatively, in the various orcish dialects of the northern Akanapeaks, it had come to mean: "Stop that awful racket, you feather-bearing nuisance."
    For generations untold, the firebirds had dwelled in peaceful seclusion across the Shining Sea. The creatures were never even bothered by predators. Some Chultan legends put this down to the extreme beauty of the birds, and the curse of the gods that must surely fall upon any-one who brought such flawless grace to harm. An alter-native explanation might be that hunting requires stalk-ing, and stalking meant staying in earshot of the fire-birds for long days at a time…
    Perched on a roof gutter sixty feet above the ground, plumed like a mad woman's hat and utterly vibrant with glee, Tekoriikii sniggered to himself, fluffed out his great streaming tail and pranced gaily past the lines of patrolling soldiers just below. His long tail plumes dragged unnoticed behind a crossbowman's helm; men marching back and forth in armor never heard the clum-sy click of talons up above.
    Like most Blade Kingdom palaces, the Toporello resi-dence was constructed as a hollow square.
    Inevitably enough, Toporello's guards were facing outward, scanning the surrounding streets, leaving Tekoriikii free to walk the inner courtyard roofs. Tekoriikii slid down the copper roof-ing on his feathered rear and landed with a thump against the palace gutters. Strutting like a gamecock, the firebird came to an apartment window, and swung his neck across the wall to peer in through the window upside down.
    In a bed the size of a desert isle, a muscular old man snored boisterously in his sleep. Crushed against his chest there lay a wooden box-a box locked with triple locks and painted with every death-glyph known to the sorcerer's art.
    Palace roofs were most usually made of copper sheet all soldered shut with lead. Tekoriikii scuttled busily back from the gutter, then simply pierced the sheet-metal roofing with his claws. Great yellow legs worked busily, peeling back the roof to open up a door into the ceiling space below; then, with a jump and a flourish of his plumes, the firebird disappeared into the hole.
    Like most ornate buildings in the city, the Toporello home sported ceilings made of wooden boards covered over with fine plaster painted into a fantastic array of cherubs, satyrs, and woodland bowers.
    Wooden boards soon surrendered to Tekoriikii's eager claws, leaving only an inch-thick shell of plaster between the firebird and his prize. At any other time, the sheer volume of noise would have alerted half the kingdom; as it was, the manic peck-peck-peck of Tekoriikii's beak went unnoticed beneath the raucous notes of Orlando Toporello's snores.
    In the middle of the ceiling, amidst a nest of painted plaster nymphs, a tiny hole began to appear. Falling chunks of plaster were caught on the great velvet canopy above Toporello's head, bouncing harmlessly as they struck home on the brocade. Finally, in a great cascade of rubble, dross and dust, the nymphs