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sceptre of the Arch-enemy.
There
, the dark, tall statures of the Princes Metzengerstein - their muscular war-coursers plunging over the carcasses of fallen foes - startled the steadiest nerves with their vigorous expression; and
here
, again, the voluptuous and swan-like figures of the dames of days gone by, floated away in the mazes of an unreal dance to the strains of imaginary melody.
    But as the Baron listened, or affected to listen, to the gradually increasing uproar in the stables of Berlifitzing - or perhaps pondered upon some more novel, some more decided act of audacity - his eyes became unwittingly rivetted to the figure of an enormous, and unnaturally colored horse, represented in the tapestry as belonging to a Saracen ancestor of the family of his rival. The horse itself, in the foreground of the design, stood motionless and statue-like - while farther back, its discomfited rider perished by the dagger of a Metzengerstein.
    On Frederick's lip arose a fiendish expression, as he became aware of the direction which his glance had, without his consciousness, assumed. Yet he did not remove it. On the contrary, he could by no means account for the overwhelming anxiety which appeared falling like a pall upon his senses. It was with difficulty that he reconciled his dreamy and incoherent feelings with the certainty of being awake. The longer he gazed the more absorbing became the spell - the more impossible did it appear that he could ever withdraw his glance from the fascination of that tapestry. But the tumult without becoming suddenly more violent, with a compulsory exertion he diverted his attention to the glare of ruddy light thrown full by the flaming stables upon the windows of the apartment.
    The action, however, was but momentary, his gaze returned mechanically to the wall. To his extreme horror and astonishment, the head of the gigantic steed had, in the meantime, altered its position. The neck of the animal, before arched, as if in compassion, over the prostrate body of its lord, was now extended, at full length, in the direction of the Baron. The eyes, before invisible, now wore an energetic and human expression, while they gleamed with a fiery and unusual red; and the distended lips of the apparently enraged horse left in full view his gigantic and disgusting teeth.
    Stupified with terror, the young nobleman tottered to the door. As he threw it open, a flash of red light, streaming far into the chamber, flung his shadow with a clear outline against the quivering tapestry, and he shuddered to perceive that shadow - as he staggered awhile upon the threshold - assuming the exact position, and precisely filling up the contour, of the relentless and triumphant murderer of the Saracen Berlifitzing.
    To lighten the depression of his spirits, the Baron hurried into the open air. At the principal gate of the palace he encountered three equerries. With much difficulty, and at the imminent peril of their lives, they were restraining the convulsive plunges of a gigantic and fiery-colored horse.
    "Whose horse? Where did you get him?" demanded the youth, in a querulous and husky tone of voice, as he became instantly aware that the mysterious steed in the tapestried chamber was the very counterpart of the furious animal before his eyes.
    "He is your own property, sire," replied one of the equerries, "at least he is claimed by no other owner. We caught him flying, all smoking and foaming with rage, from the burning stables of the Castle Berlifitzing. Supposing him to have belonged to the old Count's stud of foreign horses, we led him back as an estray. But the grooms there disclaim any title to the creature; which is strange, since he bears evident marks of having made a narrow escape from the flames.
    "The letters W. V. B. are also branded very distinctly on his forehead," interrupted a second equerry, "I supposed them, of course, to be the initials of Wilhelm Von Berlifitzing - but all at the castle are positive in denying