City of the Snakes
of his swiveling head to drive the blade deep into his flesh, all the way across from right to left.
    Basil’s dead before he hits the floor, though it takes him awhile to realize it. He jerks spasmodically, blood arcing high into the air from his severed throat. I stand clear of the spray, letting the wall take the burst, watching emotionlessly as his legs and arms go still. When he’s at rest and the flow of blood has subsided to a steady trickle, I step forward and crouch, working quickly. I’m wearing disposable plastic gloves. Dipping my index finger into the pool of blood spreading around his head, I rip the front of his shirt open, then scrawl on his chest (pausing to re-bloody my finger several times), THIS IS WHAT HAPPENS TO PIMPS WHO MALTREAT THEIR WOMEN. P.W .
    Done, I close Basil Collinson’s eyes and say a silent prayer over him. “This son of a bitch is yours, Lord. Do with him as you will. Just don’t send him back.” The prayer’s instinctive. I mutter similar words over many of those I kill. A force of habit I’ve never bothered to break, though I should—wasted seconds.
    Standing, I check I haven’t been seen, then slip away, offering myself to the shadows of the streets and alleys. As usual they accept me, and soon I’m invisible to all but the city itself.
    I wake early, before seven. I’d have appreciated another couple of hours, but once I’m awake there’s no slipping back to sleep. Better to get up and on with the day than lie here thinking about Collinson and the other lives I’ve taken. I can reconcile myself to the life I lead when I’m active
    (
when I’m Paucar Wami
)
    but if I sit back and brood, doubts flood in, and doubts will be the end of me if I give them their head. I have to keep busy. My sanity depends on it.
    Temperatures have been hotter than usual for this time of year, but it’s cold this morning and I start with a series of push-ups to warm up. I break three hundred before the first beads of sweat flow. I’ve spent most of the last ten years exercising. Approximately six hours of sleep each day, a couple of hours wasted on eating, washing, cleaning and shopping, the rest working out or pounding the streets. No leisure time. I don’t read, watch TV or listen to the radio. Sometimes I dip into newspapers, do research in libraries and scan computer files to check on certain facts, but otherwise I’m continually on the move, acting and reacting, thinking only of the challenges at hand.
    I finish with the push-ups and segue into sit-ups, focusing on my abdominal muscles. I’m in great shape for a man pushing fifty. I have to be. The streets devour the weak. I must be stronger than those I hunt and kill.
    My eyes flick to the photograph hanging on the wall at the foot of my bed. This is a small apartment, a bedroom, living room, kitchenette and bathroom. The wallpaper was old when I was young. The smell from the alley is suffocating in hot weather. But it’s home. I deserve and long for no better.
    In the photo, an off-duty police officer has an arm draped paternally around the shoulders of a young amateur actress. They’re beaming at the camera. I’ve loved both of them, in different ways, and hated them more than I’ve loved. The woman died by my hand before I became Paucar Wami. The man is missing, presumed dead, but I believe he’s still alive. My sole purpose in life is to find him, put a gun to his temple and blow his brains out. On that day the killing can stop, and so can I. Until then I act out the part of my father and roam these streets without rest, hunting, killing, searching.
    I start on neck rolls. Whisper softly to myself as I rotate my head, a word or short sentence each time my chin touches my chest. “Paucar. Wami. I am. Paucar Wami. The night. Is mine. No rest until. He dies.”
    He—
Bill Casey, the cop who destroyed me, who robbed me of everything I ever had and was, reducing me to this pale shadow of my inhuman father in the process. I

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