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moonlit village looking up at the black rooftops, stood touched by that vast, wheeling space, and had glimpsed two cats leaping between the rooftops across the pale, night sky, and she felt again a wonderful delight in their freedom.
    She had gone out to dinner alone, hadn’t felt like a can of soup or peanut butter and crackers, which was all her bare cupboard had offered. And she didn’t feellike calling Clyde. Their dating was casual; he probably would have been happy to run out for a quick hamburger, but she’d wanted to be by herself. Besides, she’d been with him half the day, working on the house. She’d been tired and irritable from dealing with a hired carpenter, had wanted to walk the village alone, watch the evening draw down, have a quiet dinner and then home to bed. When she had taken on the job of refurbishing Clyde’s newly purchased relic of an apartment house, she had bitten off almost more than she could chew. She’d had no intention, when she started Charlie’s Fix-It, Clean-It, of becoming a remodeling service. The business was meant to be just what it said: minor household repairs and painting—replacing a few shingles, spiffing up the yard, window washing, gutter cleaning, a good scrub down, total maintenance for the village homes and cottages. Not tearing out and replacing walls, supervising workmen, replacing ancient plumbing. She had no contractor’s license, but Clyde was, for all practical purposes, his own contractor. All they had to do was satisfy the various building inspectors.
    She’d gotten home from work as the summer twilight faded into a clear, chill night, had peeled off her sweaty jeans and shirt, showered, put on clean denims and a warm sweater. Leaving her apartment, she had walked through the village down to the shore ten blocks south, moving quickly between wandering tourists. This was the beginning of the Fourth of July weekend, and along the narrow streets, NO VACANCY signs glowed discreetly among climbing nasturtiums and bougainvillea.
    She had chosen a circuitous route, cutting across Ocean to the south side of the village, slowing to look in the windows of the Latin American Boutique,enjoying the brightly painted carvings and red-toned weavings, admiring and coveting the beautiful crafts and trying not to make nose prints on the glass.
    She had met the shop’s owner, Sue Marble, a white-haired woman of maybe fifty who, people said, kept the store primarily so she could claim a tax write-off on her frequent Latin American trips. Not a bad deal, more power to her.
    But as she had moved along beside the window, a Peruvian death mask gleamed through her own reflection, an ugly face superimposed over her face, framed by her wild red hair. The image had amused her—then frightened her. Swiftly she had turned away, hurried away toward the shore.
    She hit the beach at Tenth Avenue, and had walked south a mile on the hard sand, then turned back up Ocean to The Bakery, thinking that a glass of Chablis would be nice, and perhaps crab Newburg. She thought sometimes that she led herself through life only with these little treats, like beguiling a mule with a carrot.
    But why not treat herself? Tuck some bits of fun in with the hard work? Hanging Sheetrock all day was no picnic—and the heavy work had left her ravenous.
    The Bakery, a rambling structure of weathered shingles, had been a summer-vacation house in the early 1900s. A deep porch ran along the front, facing a little seaside park of sand dunes and low, twisted oak trees spreading like dark, giant hands over the curves of sand and sweeps of dark ice plant. She’d been disappointed that all the terrace tables were taken, but then had spied a small corner table and soon was settled facing the darkening dunes, ordering wine and the Newburg, quietly celebrating the first gallery exhibit of her drawings.
    After her father died, it was her mother’s subtle control that had eased