see.
Charlie had been thrilled with the gift. âI still think it looks terribly valuable. Even if the jewels are paste, the gold work is truly fine.â
âIf you like primitive,â Kate said. âAs we both do. The appraiserâheâs top-notch, was recommended by several of my clients in the cityâI donât think he goes for this kind of work. He did say the pieces were unusual in style. When I pressed him for some date, some ideawhat the history of the pieces might be, he seemed uncertain. Said they didnât really belong in any time or category, that he really couldnât place them as to locale.â
âStrange, if heâs so knowledgeable.â
âYes.â Kate had looked uneasy, as if she found the lack of any background for the jewelry somehow unsettling. âHe assured me the jewels were paste. He said that wasnât uncommon, and I knew from my art history that was true, that during the 1800s real gold and silver settings were made with great care, but often set with paste jewels.â
Kate gave the two dogs a parting pat. âI gave the other barrette to Wilma, the silver and onyx one for her silver hair.â
âBut if thereâs some clue to your parents here, if they were connected somehow to the jewelryâ¦â
Again, that uneasy downward glance. âI have ten more pieces to solve the puzzle. If thatâs why the jewelry was saved for me, if it does hold some clue.â
âBut why else would they keep it all those years, if it isnât of great monetary value? Do the other pieces have images of cats?â
âIâ¦five do,â she said, frowning. âThereâsâ¦an emerald choker with cats.â Kate shook her head, seeming distressed. âIf the stones were real, Iâm sure it would be worth a fortune.â
So strange, Charlie thought now, that mysterious collection of jewelry waiting for Kate for over thirty years, tucked away in the back of a walk-in safe, in a hundred-year-old law firm. A firm that seemed, Kate had said, on its last legs, fast deteriorating. The jewelry had been put away in a small cardboard box to wait for an orphaned child to grow up, to come of age.
Standing on tiptoe to look over the crowd, Charlie waved to Kate. And a waiter by the door moved in Kateâs direction with a tray of champagne, rudely shouldering aside another serverâthe same waiter who, half an hour earlier, had watched Charlie herself so intently. What was he looking at? Kateâs choker? Charlieâs own barrette? Surely Sicily hadnât hired a thief among the caterers.
My imagination , Charlie thought. Everyoneâs looking at the jewelry, because itâs so different with its primitive designs. Even from across the room, Kateâs silver and topaz choker was striking against her pearly dress and her silky blond hair. Kate was so beautiful, with the gamin quality of a Meg Ryan or Goldie Hawn, a perky, carefree perfection that Charlie greatly envied.
âWhat?â Max said. âWhat are you staring at? Kate? But you are the most beautiful woman in the room.â
âYou, Captain Harper, are the biggest con artist in the room.â She smiled and touched his cheek. âIâm so glad Kate came. She drove clear down from the city for tonightâwell, other errands, too. But she planned her time specially for tonight.â
âMaybe she plans to buy a drawing or two before her favorites are gone, or maybe to take back for some clientâmaybe she plans to do a whole interior around a group of your drawings.â
âYouâre such a dreamer. I know she loves San Francisco, but I do hope she moves back to the villageâthat she rents the other side of our duplex.â Charlie had bought the run-down duplex last spring, before they were married, as an investment. Ryan Flannery, her tenant in one apartment, had done considerable repairs in lieu of rent.
âItâs