little skirts and dresses from Butterick and Simplicity patterns. The price of a bus ticket, a train ticket. She could be, could be, could
be
â
Alive.
She unsnapped her heavy cotton bra and let it fall. Her breasts were milk-white, upright and smooth. The nipples were a light coffee color. She ran her hands over them and a little shiver went through her. Evil, bad, oh it was. Momma had told her there was Something. The Something was dangerous, ancient, unutterably evil. It could make you Feeble.
Watch,
Momma said.
It comes at night. It will make you think of the evil that goes on in parking lots and roadhouses.
But, though this was only nine-twenty in the morning, Carrie thought that the Something had come to her. She ran her hands over her breasts
(dirtypillows)
again, and the skin was cool but the nipples were hot and hard, and when she tweaked one it made her feel weak and dissolving. Yes, this was the Something.
Her underpants were spotted with blood.
Suddenly she felt that she must burst into tears, scream, or rip the Something out of her body whole and beating, crush it, kill it.
The napkin Miss Desjardin had fixed was already wilting and she changed it carefully, knowing how bad she was, how bad
they
were, how she hated them and herself. Only Momma was good. Momma had battled the Black Man and had vanquished him. Carrie had seen it happen in a dream. Momma had driven him out of the front door with a broom, and the Black Man had fled up Carlin Street into the night, his cloven feet striking red sparks from the cement.
Her momma had torn the Something out of herself and was pure.
Carrie hated her.
She caught a glimpse of her own face in the tiny mirror she had hung on the back of the door, a mirror with a cheap green plastic rim, good only for combing hair by.
She hated her face, her dull, stupid, bovine face, the vapid eyes, the red, shiny pimples, the nests of blackheads. She hated her face most of all.
The reflection was suddenly split by a jagged, silvery crack. The mirror fell on the floor and shattered at her feet, leaving only the plastic ring to stare at her like a blinded eye.
From
Ogilvie's Dictionary of Psychic Phenomena:
Telekinesis
is the ability to move objects or to cause changes in objects by force of the mind. The phenomenon has most reliably been reported in times of crisis or in stress situations, when automobiles have been levitated from pinned bodies or debris from collapsed buildings, etc.
The phenomenon is often confused with the work of
poltergeists,
which are playful spirits. It should be noted that poltergeists are astral beings of questionable reality, while telekinesis is thought to be an empiric function of the mind, possibly electrochemical in nature. . . .
When they had finished making love, as she slowly put her clothes in order in the back seat of Tommy Ross's 1963 Ford, Sue Snell found her thoughts turning back to Carrie White.
It was Friday night and Tommy (who was looking pensively out the back window with his pants still down around his ankles; the effect was comic but oddly endearing) had taken her bowling. That, of course, was a mutually accepted excuse. Fornication had been on their minds from the word go.
She had been going out more or less steadily with Tommy ever since October (it was now May) and they had been lovers for only two weeks. Seven times, she amended. Tonight had been the seventh. There had been no fireworks yet, no bands playing âStars and Stripes Forever,â but it had gotten a little better.
The first time had hurt like hell. Her girl friends, Helen Shyres and Jeanne Gault, had both done It, and they both assured her that it only hurt for a minuteâlike getting a shot of penicillinâand then it was roses. But for Sue, the first time had been like being reamed out with a hoe handle. Tommy had confessed to her since, with a grin, that he had gotten the rubber on wrong, too.
Tonight was only the second time she had begun to