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you touch with your fingertips. I opened my dresser drawer, took my .45 from under my work shirts, slipped the heavy clip into the magazine, and lay back down in the dark. The flat of the barrel felt hot against my thigh. I put my arm across my eyes and tried to fall asleep again. It was no use.

    I put on my sandals and khakis and walked through the dark trunks of the pecan trees in the front yard, across the road and down to the dock and the bait shop. Then the moon rose from behind a cloud and turned the willow trees to silver and illuminated the black shape of a nutria swimming across the bayou toward the cattails. What was I doing here? I told myself that I would get a head start on the day. Yes, yes, certainly that was it.

    I opened the cooler in which I kept the soda pop and the long-necked bottles of Jax, Dixie, and Pearl beer. Yesterday’s ice had melted, and some of the beer labels floated in the water. I propped my arms on the lip of the cooler and shut my eyes. In the marsh I heard a nutria cry out to its mate, which always sounds like the hysterical scream of a woman. I plunged my hands into the water, dipped it into my face, and breathed deeply with the shock of the cold. Then I wiped my face on a towel and flung it across the counter onto the duckboards.

    I went back up to the house, sat at the kitchen table in the dark, and put my head on my forearms.

    Annie, Annie.
        
    I heard bare feet shuffle on the linoleum behind me. I raised my head and looked up at Alafair, who was standing in a square of moonlight, dressed in her pajamas that were covered with smiling clocks. Her face was filled with sleep and puzzlement. She kept blinking at me as though she were waking from a dream, then she walked to me, put her arms around my neck, and pressed her head against my chest. I could smell baby shampoo in her hair. Her hand touched my eyes.

    “Why your face wet, Dave?” she said.

    “I just washed it, little guy.”

    “Oh.” Then, “Something ain’t wrong?”

    “Not ‘ain’t.” Don’t say ‘ain’t.”

    ” She didn’t answer. She just held me more tightly. I stroked her hair and kissed her, then picked her up and carried her back into her bedroom. I laid her down on the bed and pulled the sheet over her feet. Her stuffed animals were scattered on the floor. The yard and the trees were turning gray, and I could hear Tripod running up and down on his clothesline.
        
    She looked up at me from the pillow. Her face was round, and I could see the spaces between her teeth.

    “Dave, is bad people coming back?”

    “No. They’ll never be back. I promise.”

    And I had to look away from her lest she see my eyes.

    One week later I took Alafair for breakfast in New Iberia, and when I unfolded a discarded copy of the Daily Iberian I saw Dixie Lee’s picture on the front page. It was a file photo, many years old, and it showed him onstage in boat like suede shoes, pegged and pleated slacks, a sequined white sport coat, a sunburst guitar hanging from his neck.

    He had been burned in a fire in a fish camp out in Henderson swamp. A twenty-two-year-old waitress, his “female companion,” as the story called her, had died in the flames. Dixie Lee had been pulled from the water when the cabin, built on stilts, had exploded in a fireball and crashed into the bayou. He was listed in serious condition at Our Lady of Lourdes in Lafayette.

    He was also under arrest. The St. Martin Parish sheriffs department had found a dental floss container of cocaine under the front seat of his Cadillac convertible.

    I am not going to get involved with his troubles, I told myself. When you use, you lose. A mean lesson, but when you become involved with an addict or a drunk, you simply become an actor in a script that they’ve written for you as well as themselves.

    That afternoon Alafair and I made two bird feeders out of coffee cans and hung them in the mimosa tree in the backyard, then we restrung Tripod’s