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sand.
    I start flipping through the pages furiously. In most of them, Prince Oliver is in the company of someone or something—his dog, the villain Rapscullio, Princess Seraphima. But there is one illustration where he is all alone.
    Actually, it’s my favorite.
    It comes toward the end of the story, after he’s outsmarted the dragon Pyro and left the beast in the care of Captain Crabbe and the pirates. Afterward, as the pirates load the dragon onto the ship, Oliver is left alone on the shore looking up the cliff wall at the tower where Seraphima is being imprisoned. In the picture on page 43, he starts to climb.

     
    I lift the book closer so that I can see Oliver more clearly. He is drawn in color, his jet-black hair ruffled by the breeze, his arms straining as he scales the sheer rock face. His bottle green velvet tunic is tattered: singed from Pyro’s fiery breath and torn from his escape from shackles on the pirate ship. His dagger is clenched between his teeth so that he can grasp the next ledge. His face is turned toward the ocean, where the ship slips into the distance.
    I think the reason I love this illustration so much is the expression on his face. You’d expect, at that moment, he’d be overcome by fierce determination. Or maybe shining love for his nearby princess. But instead,he looks… well… like something’s missing.
    Like he’d almost rather be on that pirate ship. Or anywhere but where he is, on the face of the rocky cliff.
    Like there’s something he’s hiding.
    I lean forward, until my nose is nearly touching the page. The image blurs as I get close, but for a moment, I’m positive that Oliver’s eyes have flickered away from the ocean, and toward me.
    “I wish you were real,” I whisper.
    On the loudspeaker in the locker room, the bell rings. That means homeroom is over, and I have to go to Algebra. With a sigh, I set the fairy tale down on the bench, still cracked open. I unzip my backpack and then pick the book up again.
    And gasp.
    Oliver is still climbing the sheer rock wall. But the dagger clenched between his teeth is now in his right hand. Steel to stone, its sharp tip scratches the faintest of white lines into the dark granite, and then another, and a third.
    H
    I rub my eyes. This is not a Nook, a Kindle Fire, or an iPad, just a very ordinary old book. No animation, no bells and whistles. Drawing in my breath, I touch the paper, that very spot, and lift my finger again.
    Two words slowly appear on the surface of the rock wall.
    HELP ME .



page 11
     
    O n the bright side, Oliver realized, odds were in his favor that his intended bride was not in a coma, nor did she have a rope of hair for him to climb in order to rescue her. However, he was going into this endeavor blindly—knowing nothing about where this girl might be.
    He had saddled his stallion, Socks, and now hesitated outside the castle walls. Glancing down at Frump, who trotted beside his master, he spoke aloud. “Which way, boy?” Oliver asked. It was extremely difficult to rescue a princess, he realized, when one had precious few clues to begin with.
    Frump barked, jerking his snout in the direction of the Enchanted Forest.
    Oliver cringed. Although that was the quickest route to thecottage of the wizard Orville—the person in the kingdom who was most likely to be able to conjure clues for Oliver’s quest—it was also riddled with hazards. There were roots your stallion might trip over while galloping; there were low-hanging branches. Some bits of the forest were so thick that you could not see a foot before you. And because the woods were enchanted, the paths through them were mazes that changed constantly; the route you took the last time was never one you’d take twice.
    He closed his eyes, imagining Princess Seraphima, who would be consigned to a lifetime of misery with a villain if he didn’t manage to save her.
    Then again, it wasn’t like she was counting on Oliver’s arrival….
    He reached for the