Trunov had ever said, even in his dreams.
Herr Schramm takes three steps back and shoots the cigarette machine.
JOHANN SLAMS THE DOOR. COULDNâT STAND IT at home any longer, Ma watching her soap opera again, and when he said he must go out at midnight to ring the bells she carried on a bit.
Itâs cold now. Heâd been chilling out in the sun beside the lake today, winterâs coming. Maybe he ought to call for the master bell-ringer? He always turns up late. Itâd be kind of nice to ring in the midnight bell for the Feast at midnight itself.
Johann puts on his headphones (The Streets), goes past the old smithy. It once belonged to his ancestors (so Ma tells him, and sheâs boss of the village history, so she should know). Right sort of sound for that, the song heâs listening to now. About ancestors. The unlikely way some of them have survived over centuriesâwicked! Started life going and now youâre part of it yourself. Johann Schwermuth, sixteen, virgin (working on changing that status), trainee (in retail trade, another year then heâll earn the basic wage), fantasy role-player, church bells, hip-hop.
He stops outside the church, wonders whether to go right up there, take a look at the village. The few lights in the landscape arenât so great, itâs the darkness in between, the Kiecker Forest, the fields. What he likes best is seeing the promenade and the boathouse for the ferry light up for a while, then thereâsnothing for some time, and after that you get to see a few lights from Weissenhagen and Milbrandshagen again. The black bits in between are the lakes. Two holes in the world (threatening, yup, you bet).
That guy the ferryman: wicked! Done for, you might think. Big hairy terrorist-type beard, fingernails and all that. But he wasnât really done for, not like a few others around here. If he said anything, then either you understood something that hadnât been clear to you before, or you didnât even know what he was talking about. Lada says there was a guy like that used to sleep under the bridge in town. We donât have a bridge here. People liked the ferryman and at the same time they were scared of him. Specially the passengers on the ferry. He somehow didnât seem to belong here. It wasnât that he didnât belong in the village, Johann thought, he didnât belong in this time. The Middle Ages would have been a good time for him, all got up in leather armor, a sword, or magic, something like that.
Anyway.
Johann wonders what his own ancestors were like. Itâll be the song making him think of it. What they talked about, what sort of clothes they wore when they came to church here in the such-and-such century or whenever. He gets an idea what they looked like from the role-playing.
Johann once read that folk liked to build churches on hills so as to look up at God. Johann likes looking down. Johann doesnât believe in anything. Ma reckons theyâre all atheistsin the Vatican, otherwise how would they be allowed to get so rich?
And then the Great Fire in 1740. One of his ancestors survived that, a miller called Mertens. But otherwise almost everything burned down. The church bore the full brunt of it. How something made of stone can burn Johannâs never really understood, but okay. It was soon rebuilt. The chronicle and the old church registers and books and stuff were all gone. A pity, really. Ma has typed out the chronicle for after 1740. You can see it in the Homeland House. (Great for role-playing if you want to work in something about witches or child-murderers or robbers or suchlike.)
The church was renovated in the 1990s. Since then itâs been brick. Brick doesnât really look churchy. Not seriously. A brick fireplace, okay. A brick garage, okay. Brick buildings in Hamburg, okay (class outing there last year, still a virgin all the same). But an altar? Ma says the 1990s were a crime against