Foreign Office and wrote triolets and madrigals.â
âAnother brother â and the grandfather of Mark and myself. Ranulph Raven had any number of younger brothers. He also had three sons, all of whom youâve met: Everard, Luke and Robert. Mark and I are the children of their first cousin: what are called first cousins once removed. Thatâs why we say âcousinâ to them, although theyâre enormously older. Are you uncomfortable, or just restless?â
âNo, Iâm not uncomfortable.â Appleby found himself choosing his words with care. âBut as it does appear to be necessary that one of us should sit on the other, I think it might be betterââ
âRanulph was a novelist.â
âGood lord! Yes. Stupid of me. And enormously prolific. A sort of second Wilkie Collins. But, as I was sayingââ
âMr Appleby, if I saw any prospect of sitting on your knee I would certainly prefer it to your sitting on mine. But itâs too late for such a major upheaval. Unless we shout to Heyhoe and make him stop.â
âI think perhaps weâd better do that. Iâd be quite pleased to get out and walk.â Appleby paused on this, conscious that it was not the happiest of remarks. âI meanââ
âPerhaps we could manage a shift round, after all. If you get your shoulders over thereâ â and Appleby felt his shoulders seized and given a vigorous shove â âand these â â his knees were gripped â âdown hereââ There followed several seconds of contortion, during which Appleby received a lively if confused impression of the graces of Miss Ravenâs person. Then he found himself planted square on a seat and his companion tucked into some vacant corner on the floor. She gave a final wriggle of her thighs somewhere near his ankles. âAnatomy,â she said from out of the darkness, âis a species of knowledge useful in a tight place.â And she laughed â softly but, Appleby thought, with an undertone of her wild, yellow-haired brother.
âUseful, no doubt â and altogether essential to a sculptor.â
âHowever do you know that?â Judithâs voice was quite startled. âWhat do you know about us all?â
âSingularly little.â Appleby was wondering whether it was to his credit that he was now regretting having ceased to be dandled on the knees of an attractive girl. âBut from the particularly inhuman way you look at one I could tell that it was art. And from the muscular force at your disposal in pushing people round I should judge that it is less likely to be just paint brushes than a hefty mallet and chisel. After all, I told you Iâm a detective. You remember that Sherlock Holmes used to offer chance acquaintances similar treats.â
âGlyptic work does take a certain amount of punch.â Judith spoke with a shade of complacency. âReally nice girls just mess about with clay, or dabble in oil where their grandmothers dabbled in water-colour. Incidentally, Leonardo da Vinci thought of it in the same feeble fashion. He called painting a liberal art, because you just sit and poke at a canvas in a gentlemanlike way. And he called sculpture a servile art, just because thereâs honest sweat in it.â
âDonnish,â said Appleby.
âWhatâs that you say?â
âI said that you too have your Dr Johnson.â
âIâm only making polite conversation. But perhaps you would prefer mute communion?â Judith chuckled maliciously in her corner. âShall I give your legs a dumb squeeze?â
âNot at all.â Appleby spoke hastily. âI mean Iâm most interested in what you say â about Ranulph Raven. A Victorian novelist. And enormously prolific.â
âAh â youâve noticed Heyhoe.â
âI beg your pardon?â Appleby, whose wits were somewhat frayed by the