Tags:
thriller,
Literature & Fiction,
Mystery,
Literature,
truth,
Kidnapping,
story,
Celebrity,
World Literature,
Journalism,
Humanities,
media,
Ownership,
Nicole Moeller,
Public and Private
Down to my bones. In my blood. My feet. My hands. My hair. Suck in the moment. Freeze it in my mind. Bite my cheeks. Dig my fingernails into my hands. Don't let him see you cry. Don't let him know how bad you wanted this. How bad you want this. To be out. Like a person. Just a person.
MATHEW grabs her hand.
MATHEW
(to CHLOE)
Get away from the window; I don't want anyone to see you.
GREG pulls her away from MATHEW.
GREG
(to CHLOE)
Go through the door; I want everyone to see you.
To audience.
CHLOE
We walk through the room. Beautiful.
MATHEW
She looks around.
GREG
At everything. The people.
MATHEW
The ornaments.
GREG
The art on the walls.
CHLOE
Perfect.
MATHEW
The big picture of a full moon shining on a snow-covered field.
GREG
The candles on the table. The flowers.
MATHEW
The photos everywhere.
(to CHLOE)
Do you like it here?
GREG
(to CHLOE)
Having fun yet?
CHLOE
Yeah. It's⦠awesome. Sorry. Wonderful. Amazing.
MATHEW
I haven't changed anything from when I was a kid. Except that table. I made it myself.
GREG
Chloe, I'd like you to meet my colleague.
MATHEW
This is my mum. Before she was married.
GREG
One of my good buddies.
MATHEW
My best friend.
GREG/MAT
Used to be anyway.
She goes towards MATHEW.
CHLOE
(to MATHEW)
She's really pretty. Mathew.
Beat.
I'd like to see more pictures of her.
MATHEW
(to audience)
The way she said my nameâ¦
GREG
Chloe. They're about to serve dinner. Table number eleven.
GREG puts his hand on her back.
CHLOE
(to audience)
The way he put his hand on my backâ¦
GREG
(imitating co-worker)
"Hey, Greggy. What're you drinking? I'm buying."
(to audience)
The way they're talking to meâ¦
CHLOE
It feelsâ
MATHEW
âdifferent.
GREG
Very different.
They inhale.
CHLOE
We eat dinner.
MATHEW
(to CHLOE)
When I was five we wentâ
GREG
(to colleagues)
It's because of the Conservatives. Obviously.
CHLOE
I try to keep up. Eyes wide, head tilted, smile not too big, not too small.
GREG
She says nothing.
MATHEW
Almost nothing. I don't know why.
CHLOE
I'm smarter. I can see through what's being said. What's true, what's a lie. What's said to impress, what's said to defend.
GREG
After dinnerâ
CHLOE
(to GREG/MATHEW)
Where's the washroom?
MATHEW
I stand outside the door.
GREG
Wait for her. To make sure nothing happens.
MATHEW
Because nothing can happen.
GREG
People keep coming up to me.
(imitating public)
"What is she like? What's it like working with her? We're hooked on your articles! We love your writing!"
MATHEW
What if life could be like thisâ
GREG
âall the time. People falling all over themselvesâ
MATHEW
Her willing to do anythingâ
GREG
âjust to talk to me.
MATHEW
Be with me. Up here.
CHLOE
(to GREG/MATHEW)
Thanks for waiting.
(to audience)
We go back to the main room. I can't stop staring at him. In this room. Surrounded byâ
GREG
Colleagues.
MATHEW
Memories.
CHLOE
And he won't stopâ
MATHEW
Telling stories.
GREG
Jokes.
CHLOE
Trying to impressâ
MATHEW
Her.
GREG
Everyone around me.
CHLOE
He makes me kind of sad.
GREG
(to CHLOE)
Can you believe what he said at dinner?
CHLOE
None of it's real.
MATHEW
(to CHLOE)
And this one I got from my mum when I was ten.
CHLOE
He's alone. Totally alone. I can see it in his shoulders. In the way heâ
GREG and MATHEW wipe sweat off their foreheads in the same way.
âso you won't notice the sweat on his forehead.
GREG and MATHEW both massage their necks.
No real friends. No family. No one. Except me.
MATHEW
(to CHLOE)
Dance with me.
MATHEW takes her arm.
GREG
(to CHLOE)
Dance with me.
GREG pulls her away.
CHLOE
What? No. I don't know how.
GREG/MAT
I'll teach you.
CHLOE
No. Mathewâ
MATHEW
(to audience)
She said my name again. Like that.
GREG
It'll be fun.
He puts his hand on her back.
CHLOE
(to audience)
He put his hand on my back again. Like that.
GREG
(to