heâs the catcher for seymour highâs nationally ranked baseball team you arenât the least surprised: he is a pyramid boy with atlas shoulders and merman hipsâa boy with muscle to spare. he is a quick boyâmoving to one of the coolers under the table, fisting a mouthful of chipsâbut not a fast one: the ease of him almost too easy, everything about him actually
too
and
easy
as youâre looking-not-looking at those glossy curls thick enough to balance grapes, the toothsome smile, the heavy hands that stay shoved in pockets while he talks. only thirty seconds in the room and everyone is moving around him like it is their birthday and he is the cake, even the other guys, the shorter soccer guys, the baseball-capped groupie guys and even those from tennis and track. he is stay-away-from-me handsome, likely all gimme hands and grabby mouthâone of the ones who knows so much and about whom you know lots better. you can spot them coming a mile away like a slowball high and to the right: this one no different with his chisel-chin-chin, except when he turns his eyes toward you its not a slowball but a curveâhis soulful eyes a mirror that shows your own solitary reflection.
hooking up
not sure what time it is anymoreâthe room is full of smoke and mirrors but you could navigate it blindfolded, not a flitty bee but a smooth shark who needs no eyes, constantly moving and seeing with the edges of your fingertips, elbowsâsensing with your earlobes. you are restless and it is time for something to happen. this one will not do and not this one either, too-tall/too-short/too-loud/too-just-too much leering there in the door frame. there is music you donât like but donât pay attention toâitâs all part of the vibration of the current by now, what keeps the kelp swaying and what keeps you camouflaged. twice around the room, one time more (so many rooms, so many rounds, you cannot keep them straight anymore only a curved glass barrier against which you pace). your glass was half-empty and now itâs half-full of something that vaguely tastes like rum. a friendly face you know swims before you, pale pulsing jellyfish aglow against the dark. the pyramid boy with the mirror eyes has disappeared but you are gladâthere are simpler fish to shoot in this barrel. his name is josh his name is matt his name is kristopher his name is astrophelâit doesnât matter you only have to say it once. the smiling is the rest: that tender hooked worm that he will soon snap and swallow whole. there is a cove there is a room there is a corner there is a hallway there is a place you go where itis dark and for a momentâwhen he doesnât speakâwhere it is quiet. itâs there everything will be silenced and stilled and forgotten, only one mouth on the other, one hand in another fist, one body against another body and all the nattering talking remembering thinking parts of your brain dissolved and dismembered in a swirl of salt. there is only the fish brain working now, only the part of you that is octopus. the part that is disappearing now in a cloud of ink.
Becca
Sunday Morning Shift
Bacon-egg-cheese biscuit
two coffees here is
your change (seventythreecents). Nadia brings
Good morning what can I get you?
another basket of croissants from the back;
âYes maâam here is your bagel the toaster is over
there, here
More coffee? Refills are
âhow much?â
ninety-eight cents
plus two muffins equals three
ninety-oneâno fourâmy feet
are killing me already
Good morning what can I get you?
even in these new shoes. Thereâs the phone ringing I
hope someone else can get it
âslice the bagelâwhat are the herbal teas again?â
Here you are, sir.
Yes whatcanIgetyou?
Smile hi to Denver grinding another batch of beans;
Yes thank you six eighty-one please.
Someone will have to get that manâs
papers off the table,
and do I