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There were times Pandora wanted only the basics. There were times in New York she’d argue for hours over unions, politics, civil rights because the fact was, she loved an argument. She wanted the stimulation of an opposing view over broad issues or niggling ones. She wanted the challenge, the heat and the exercise for her brain. But…
    There were times she wanted nothing more than a quiet sunrise over frost-crisped ground and the promise of a warm drink by a hot fire. And there were times, though she’d rarely admit it even to herself, that she wanted a shoulder to lay her head against and a hand to hold. She’d been raised to see independence as a duty, not a choice. Her parents had the most balanced of relationships, equal to equal. Pandora saw them as something rare in a world where the scales tipped this way or that too often. At age eighteen, Pandora had decided she’d never settle for less than a full partnership. At age twenty, she decided marriage wasn’t for her. Instead she put all her passion, her energy and imagination into her work.
    Straight-line dedication had paid off. She was successful, even prominent, and creatively she was fulfilled. It was more than many people ever achieved.
    Now she pulled open the door of the utility shed. It was a big square building, as wide as the average barn, with hardwood floors and paneled walls. Uncle Jolley hadn’t believed in the primitive. Hitting the switch, she flooded the building with light.
    As per her instructions, the crates and boxes she’d shipped had been stacked along one wall. The shelves where Uncle Jolley had kept his gardening tools during his brief, torrid gardening stage had been packed away. The plumbing was good, with a full-size stainless-steel sink and a small but more than adequate bath with shower enclosed in the rear. She counted five workbenches. The light and ventilation were excellent.
    It wouldn’t take her long, Pandora figured, to turn the shed into an organized, productive workroom.
    It took three hours.
    Along one shelf were boxes of beads in various sizes—jet, amethyst, gold, polished wood, coral, ivory. She had trays of stones, precious and semiprecious, square cut, brilliants, teardrops and chips. In New York, they were kept in a safe. Here, she never considered it. She had gold, silver, bronze, copper. There were solid and hollow drills, hammers, tongs, pliers, nippers, files and clamps. One might have thought she did carpentry. Then there were scribes and drawplates, bottles of chemicals, and miles of string and fiber cord.
    The money she’d invested in these materials had cost her every penny of an inheritance from her grandmother, and a good chunk of savings she’d earned as an apprentice. It had been worth it. Pandora picked up a file and tapped it against her palm. Well worth it.
    She could forge gold and silver, cast alloys and string impossibly complex designs with the use of a few beads or shells. Metals could be worked into thin, threadlike strands or built into big bold chunks. Pandora could do as she chose, with tools thathad hardly changed from those used by artists two centuries earlier.
    It was and always had been, both the sense of continuity and the endless variety that appealed to her. She never made two identical pieces. That, to her, would have been manufacturing rather than creating. At times, her pieces were elegantly simple, classic in design. Those pieces sold well and allowed her a bit of artistic freedom. At other times, they were bold and brash and exaggerated. Mood guided Pandora, not trends. Rarely, very rarely, she would agree to create a piece along specified lines. If the lines, or the client, interested her.
    She turned down a president because she’d found his ideas too pedestrian but had made a ring at a new father’s request because his idea had been unique. Pandora had been told that the new mother had never taken the braided gold links off. Three links, one for each of the triplets