prosthesis.
Wear it as much as you can over the next month
so your limb doesnât become
dog-eared or bulbous.
Roll antiperspirant on the skin beneath your sock
so the area stays dry. Keep it clean.
We donât want it getting infected and smelly.â
My cheeks burn with embarrassment,
as if Iâve been playing cricket in the heat.
Bad enough having Jim
see this part of me, naked,
without imagining it
dog-eared, bulbous,
stinking, swollen, disgusting.
Jim kneels by my foot
so close I could rest my chin on his golden head.
âHey there.â Jimâs normally buoyant voice is soft.
One of his knuckles, rough as a catâs tongue,
brushes against my inner thigh
as he helps me pull on my âshrinker sock.â
His accidental touch tickles,
sending an uncomfortable flutter through my stomach.
âVeda? Iâll make you a leg you can dance on.â
I feel dizzy as if Iâd stood up too fast,
though I get up slowly on my crutches.
Dizzy at the sight of him kneeling by my foot,
dizzy at the thought of Jim and me alone in his office,
his dazzling eyes watching me dance
on the leg heâs promised heâll make me.
IN
the
EYE
Iâm at the table finishing my homework
when I glimpse Paati in our kitchen
wiping beads of sweat off her brow
with the edge of her white sari.
âPaati, let me help.â
âI was going to make you some
uppuma.
â
âIâll cook my own snack. You do too much for someone your age.
Chandraâs grandmother sits in front of the TV all day.â
âDonât criticize your elders,â Paati says, but her eyes twinkle.
âPaati, Iâd never criticize you. Youâve done so much in life.â
âDidnât you tell me Chandraâs grandmother
raised eight children? I only had one.â
âYou raised Pa all on your own!
You became a schoolteacher!
Most widows of your time didnât dare leave home!â
âFinish your homework.â
âDone.â I stuff my books into my schoolbag,
clunk over to help her.
âVeda, you look tired. Go and rest. I enjoy cooking.â
âIâm not tired,â I lie.
âIâm old, not blind,â she says.
âI wish my classmates were blind.
And the people who ride my bus, too.â
I warm a blob of clarified butter in a pan.
The smell of melting butter fills our kitchen.
I toss in some black mustard seeds.
They crackle. The sound reminds me
of Mekha and Meghna cackling. âEveryone stares at me.
All the time.
Everyone looks at Chandra, too,
except thatâs because sheâs pretty.
In my case, itâs because Iâm not.â
âChandraâs pretty,â Paati says. âAnd so are you.â
âOnly if Iâm dancing.â
âVeda, onstage you sparkle with confidence.
But your body doesnât transform
offstage.
Your curls are just as long,
your back just as straight,
your figure and face just as lovely.
Your hands flutter whenever you talk. And you
move so elegantly.
As delicately as a butterfly flitting between flowers.â
âNot on crutches, I donât.â
âAll
the
time,â Paati says.
Sheâs my grandmother.
No wonder she believes Iâm always graceful.
Beauty, as the proverb says, I now understand,
is, indeed, in the eye of the beholder.
WHO DANCED Ahead
OF ME
âDid you get those just because of me?â
I motion at the rows and rows
of books on Bharatanatyam
stacked on Jimâs bookshelf,
in his sunny workroom on the third floor of a redbrick building
on the forested campus of the technology institute
right in the middle of the tar-and-concrete maze of Chennai city.
âYou bet, kiddo.â
The hair on Jimâs hands is powdered white
from the plaster of Paris
heâs mixing with water
to make a mold of my residual limb.
I canât believe heâs taking so much time to learn
about what I most love.
I