had once, that he still had, if he could find it in the attic of the little house. He had bought it in Germany, he said, after the Second World War, when he was stationed there with the army. That surprised me.
"You were in the
army?
" I had asked him. The only people I knew who were in the army were boys who had flunked out of the university and didn't know what to do with themselves. Sometimes they would come back to see Dad in the house in town, with funny haircuts.
Will had laughed. "I was an officer," he said. "Would you believe it? People
saluted me!
" He put a stern look on his face and made a rigid salute. It was there, in the pictures.
Then he had laughed again, and puffed on his pipe. "In those days we all joined the army. It seemed important, then. For me, the best part was coming home. It was in summer, when I came home, and Margaret had made ten blueberry pies, to celebrate. We ate blueberry pie for three days and then we were sick of blueberry pie and there were
still six left over. I think she gave them away."
He had closed his eyes, remembering, still smiling. It was the last picture on the sheet. His eyes were closed, and the smoke from his pipe was a thin white line beside his head and circling across the top of the photograph.
I marked six of the tiny prints with a marking pen: my six favorites, each one a little different. Then I went back into the darkroom and spent the rest of the day enlarging those. I made two sets of them, so that I could give one of each to Will. I wondered if he'd be pleased. They were good pictures; I knew that, and both my parents had said so, too, and they never he to me. But it must be a funny feeling, I think, to see your own face like that, caught by someone else, with all your feelings showing in it.
I took my own set of Will's pictures up to my room and taped them to the wall very neatly, with three above and three below. I've been trying to keep my half of the room neater ever since Molly drew the chalk line; every time my things start piling up and getting messy, Molly draws it over again, just to let me know it's still there.
She was on her bed, drawing pictures in her school notebook, when I went in and put the pictures on the wall.
"Mom'll kill you if you tear the wallpaper," she said, glancing over at me.
"I know it." We both knew it wasn't true. My mother hardly ever gets mad. She scolds us sometimes, but the thought of Mom killing somebody is ridiculous. She doesn't even step on ants.
"Hey," said Molly suddenly, sitting up and looking over at the wall. "Those ate really
good.
"
I looked over to see if she was joking, and she wasn't. She was looking at Will's pictures with interest, and I could tell that she meant it, that she thought they were good.
"I like that one there, where he's looking off in the distance and smiling," she decided, pointing to one in the bottom row.
"He was talking about his wife," I remembered, looking at the photograph with her.
Molly sat there for a minute, thinking. She looked pretty again, now that she was feeling better. Her hair had gotten its curl back. "Wouldn't it be great," she said slowly, "to be married to someone who felt that way about you, so that he smiled like that whenever he thought of you?"
I hadn't ever really thought about it in such personal terms. To be honest, I find the whole idea of marriage intensely boring. But right at that moment I knew what Molly meant, and I could feel
how important it was to her. "Tierney looks that way at you all the time," I told her.
"Really?"
"Sure. Sometimes when you don't even know he's looking at you. I saw him in assembly last Friday, looking over at you. Remember, you were sitting with the cheerleaders? He was watching you, and that's the way he looked, almost like Will is looking in the picture."
"
Really?
" Molly curled up on her bed and grinned. "I'm glad you told me that, Meg. Sometimes I don't know what's going on in Tierney's head at all. Sometimes it