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hours nightly into the dark.
The great wheel was revolving slowly, a chain of lights that mingled with the lamps of Orion and the Cross. Martha laid her wet and uncomfortable head against the wall, and looked at the wheel steadily, finding in its turning the beginnings of peace. Slowly she quietened, and it seemed possible that she might recover a sense of herself as a person she might, if only potentially, respect. It was really all quite simple, she assured herself. That this marriage was a foolish mistake must certainly be obvious to Douglas himself; for if humility can be used to describe such an emotion, Martha was genuinely humble in thinking of him and herself as involved in an isolated act of insanity which a simpledecision would reverse. His personality and hers had nothing to do with it. The whole graceless affair had nothing to do with what she really felt or - surely? - what he felt, either.
The dragging compulsion which had begun to operate when they met, which had made it impossible for her to say no at any stage of the process, seemed broken. It would be easy, she thought, to tell Douglas when he entered the room that they must part at once; he must agree. For since he shared her view that the actual ceremony was no more than a necessary bit of ritual to placate society, it followed he would view a divorce in the same light.
Thus Martha - while her eyes hypnotically followed the circling of the great wheel. But at the back of her mind was an uncomfortable memory. It was of Stella roaring with laughter as she told the story, while her husband laughed with her, of how she had, the day after their wedding, run back to her mother, because she had decided she didn’t want to be married at all, and most particularly not to Andrew; after some months of marriage, it seemed that Stella found this mood nothing but a joke. The fact that what she was feeling now might be nothing but what everybody felt filled Martha with exhaustion. She remained clinging to the sill, while tiredness flowed into her, an extreme of fatigue, like the long high note on the violin that holds a tension while the ground swell of melody gathers strength beneath it. Her limbs were so heavy she could hardly prevent herself from sliding off the chair; while her mind, like a bright space above a dark building, was snapping with activity. The small, clear picture of Stella laughing at her own story was succeeded by another: she saw Binkie, large, fat, heavy, grotesquely dancing with the baboon on the lawn outside the hotel; she saw herself laughing at the scene, arm in arm with Douglas. Finally, she saw a small yellow flower on the very edge of the Falls, drenched with spray and tugging at its roots like a flag in a gale, but returning to its own perfect starred shape whenever the wind veered. She could not remember having actually seen this flower. It was frightening that she could not - yet there was somethingconsoling about it, too. She tried again and again to place the moment she had seen it; her mind went dark with the effort, as if a switch had been turned down. Then she heard, with a movement of slow, swelling sadness, the music from the amusement park. And now she understood that she was looking back at the hectic elation of those four days with regret — nostalgia was invading her together with the rhythm of the false cheap music. Yet the truth was she had disliked every moment of the time. She jerked herself fully awake; that lie she had no intention of tolerating. She stood up, and told herself with a bleak and jaunty common sense that she needed a good night’s sleep.
The outer door crashed open; the light crashed on. A cheerful young man came towards her, whirled her up in his arms, and began squeezing her, saying, ‘Well, Matty, here we are in our own place at last, and about time, too!’ With this he gave her a large affectionate kiss on the cheek, and set her down, and stood rubbing his hands with satisfaction. Then it seemed that