points and spreadsheets
on every bailout,
g8 summit, profit bonus
and offshore bank we ever had.
Doo-lang, doo-lang
.
How I Wrote
You must change your life, but first,
wait a few minutes. After all, Rilke couch-surfed
from castle to château for a decade before
his internal mood ring shifted to purple
and signalled the muse. He finessed this later
as creative possession: an impulse so focused
he’s said to forget the time of day,
though Wikipedia claims he never missed
a meal at Duino. Big deal. Whatever
it was, he could direct the spirit’s surges
and knew how to work a crowd in its wake.
Imagine him on Facebook. LOL .
Precious, yes, but how not to be
when you’re born in Prague and write
about angels. In any case, you won’t catch me
mooning along parapets and sea walls;
not because I wouldn’t, but so far
there’ve been no offers. I booked a week
at Banff in a forest studio,
ate scones, startled a ground squirrel,
kept forgetting to bring a jacket,
and one night heard blues harmonica
drift from the aboriginal arts lodge nearby.
I texted a friend who’s Ojibwa. WTF ?
He wrote back ‘Why don’t you go
over there and ask them what they’ve got
to be blue about?’ Touché.
So I managed some edits, and through
the skylight watched yellow leaves
parachute the branched heights to amass
as ground cover. No thought-fox
raised its rusty snout, or gifted prints
across the page, though a few fingers
of cask-strength Scotch made
the waiting a little easier. Paradox:
to be perfectly here, you must
stop thinking about it, then it’s on.
Most days I leaf around trying to sidle
out of the peripheral sight of myself,
so when I focus again, I might
be astonished, do something real, feel
like Jarrett at Köln, overtired
and saddled with the wrong piano,
forced to work the corners we get
backed into. It might be a thunderbolt,
but mostly a mule I keep thinking of
when I picture myself in the grind between
the start of some work and its end result,
but like an apprentice before the koan,
I’m afflicted by the absent revelation,
never sure if it’s better to change the light bulb
or stare into the dark.
Memento Mori
A mariachi band has just begun;
the
cantinero
muddles lime, ice and mint.
Is it industry, folly or perverse fun
to lounge here, behind my glasses’ darkly tint,
reading elegies in the sun?
Charles âOld Hossâ Radbourn, 1886
         (Boston Beaneaters)
Crouched in the back, the official team
portrait, his gesture above a teammateâs shoulder:
who is he giving the finger to?
Players, those fielders from New York
maybe, who taunt their league rivals with snorts,
bored with delay in the April
dugouts while waiting to pose for their own team
photo. Or maybe itâs Radbournâs
scorn for these âpicturesâ thatâs lifted his digit so
snidely, irate at the tripod and bellows
holding the game from its opening pitch. Or
managers maybe, or press who reported drunken
brawls and philandering.
Maybe itâs time with a capital T that faces Radbournâs
finger, a signal heâs sent from his age to ours,
showing he knows weâre all stuck in a world
made by palookas who dream the fast buck while
playing each other for suckers,
so why not break the measure this once
just to say Fuck You
and So What, it might be the only
thing thatâs left worth doing,
the only thing weâre any good for
in this unexamined life.
Fruit Fly
So slight, no weight, a non-bug,
it wafts past
like an ash flake bobs
above a bonfire’s heat,
its shape
an ephemeral asterisk.
Do fruit flies ever die of old age?
At what moment are they living
and then they’re dead?
The only times I’ve seen them die
were flat between hands,
or dialing out their limits of energy
in a glass of stale beer.
When Voyager 1
was scheduled to clear
the solar system,
NASA signalled its onboard camera
to