reflecting the branches and the sky.
Weâre approaching something: a wide white house squatting at the end of the avenue. Itâs a château, stark against the muddy greens and grays of the countryside.
I nudge Jules with my foot. âI think weâre here,â I mumble.
He doesnât wake up.
The cars pull up in front of the pale château, curling like a fiddlehead around the wide circular driveway. The locks on our doors click open.
I step out into the cold. Car doors are opening all around, disgorging Red Spikes, the other bodyguards, Will. Miss Sei is clicking toward me.
âWhere are we?â I ask her, looking up at the house. Itâs symmetrical, two floors, square windows. Probably mid-nineteenth century. Solid and big and old, like a country stronghold.
âChâteau du Bessancourt. Itâs part of the Sapani portfolio,â Miss Sei says. Itâs the first time Iâve heard her talk. She has a perfect cut-glass English accent. She opens Dorfâs door. Murmurs something into the dim interior.Turns back to me. âThey bought it several years ago and began a restoration. Thatâs why youâre here. Professor Dorf will explain inside.â
âWait, weâre staying here ?â Jules is climbing out behind me, groggy, his hair sticking up in wet-cat spikes.
Dorf chuckles and unfolds out of the passenger seat. âOf course!â He stamps twice on the cobbled drive. His leather wingtip shoes are polished to mirrors. âThis is our site. One hundred feet below us lies the entrance to the mythical Palais du Papillon. Best be close by, I thought.â
I stare at the cobbles. Peer up at the house again. Somewhere in the blue folder it was mentioned that the original château burned to the ground during the revolution. This one must be the replacement. Itâs weird to think about French people in wigs and stockings running around here a couple centuries ago. That there was another world here before us, people going about their lives with no idea what was coming for them. I look back down the avenue, stretching away, nothing on either side but trees and fields.
Hayden and Lilly walk up, Lilly jabbering, Hayden glowering straight ahead like he wants to punch something.
âEverybody?â Dorf says. His voice hangs in the frozen air, dull and muffled. âListen, please. This will be our base of operations during the expeditions. While the Sapanis are not here at the moment, we will be guests in their home. Be careful and conscious of that while you are staying in the château. Now. There will be attendants to bring in your luggage. Follow me.â
Lilly slips back into one of the Mercedes and shoulders her huge backpack.
âHe said leave it,â Jules mutters to her, and I see her look at him like, Over my dead body . We follow Dorf up the steps to the dark, polished doors. Theyâre carved with hatchets and roses, just like the coat of arms on our documents. We step into the high, echoing hall. Miss Sei and the four bodyguards enter behind us. Iâm still not sure why the bodyguards are here. I get that the Sapanis are rich and powerful, but itâs not like there are going to be paparazzi leaping out of the hedges and sticking microphones in our faces.
The floor is tiled in black-and-white marble. The walls are paneled in dark wood. The air is cold. Damp. The kind of air that comes when no oneâs breathing it, when it just sits and stagnates like still water.
Iâm walking right beside Dorf. He leans over. âAnouk,â he says quietly, pleasantly. âItâs really wonderful you could be here. We were worried we wouldnât fill the last spot, but then, there you were! And with such a fortunate family! Weâre so pleased for you.â He spins, and his voice goes up about ten decibels. âEveryone! Miss Sei will take you to your rooms now.â
I stare at him, confused. He smiles at me, all