no.
âYou know,â he says, as if pondering some major philosophical revelation. âYouâre a weird one. Normal people would be like, âYayyy, going to France with an awesome person named Jules and also exploring a two-hundred-year-old site, yayyy!ââ He waves hishands with each yay . âI canât figure you out.â
âI canât figure me out, either.â I watch a twisted old tree by the side of the road grow closer, larger, gone. âAlso, normal people didnât go on this trip. Just so you know.â
Heâs probably making a face, being weirded out. I donât care. I do care, but at some point you have to stop caring, or you become Chernobyl-dead-zone levels of crazy. I am excited to be here. I canât wait to get into the palace, start discovering things, forget about New York, forget about college and the next sixty-plus years of my life that I have yet to muddle through. I just donât know how to communicate that to people.
âSo, what are you here for?â Jules asks. âWhat are your stakes?â
I jam my feet up onto my seat and stare at the tips of my sensible brogues. I canât actually tell him. What am I going to say, that Iâm being all Huck Finn and running away? Rebelling against the status quo, searching for redemption, trying to find an identity outside of being a punching bag for my dysfunctional familyâs psychoses? Because thatâs what Iâm here for, and I donât need him to tell me that what I really needis therapy/some people have actual problems/those shoes are Prada, how could you possibly be unhappy?
âIâm here for the experience,â I say. Lie. âAnd to practice my signature forging.â I sling a wrist across my forehead. âThose selection rounds, whew ! Got any dotted lines requiring signatures from parents and guardians? Iâll sign them for you.â
âYou forged your parentsâ signatures? Do they even know youâre here?â
âThey think Iâm in Azerbaijan. I left a note.â
âCan I ask you a question?â
âNo.â
âWhatâs wrong with your parents?â
âLook, Jules? Youâre nice and everything, but you need to mind your own business.â
The Mercedes rumbles through some road construction. Bright cones flicker past like little lighthouses, gone in an instant. My chest feels tight. I donât look, but Julesâs expression is probably bordering on disgust by now.
âWell, you certainly look like youâve had a rough life,â he says. âMalnourishment. Constant threat of war. No clothes but what you could scrounge out ofthe charity bin. How did you ever make it this far . . .â
âWhat?â
âNothing. Dâyou think itâs strange theyâre letting teenagers into a find like this? I mean, they could have gotten some veterans. Famous art historians or something. Doesnât it strike you as odd?â
I squint at him. âThere are going to be famous art historians and veterans. Dorfâs here. And anyway, we worked for this. We have qualifications. Iâm sorry you have such a low opinion of your skills, but I feel like Iâve earned this.â
I donât. I donât feel like Iâve earned anything.
âYouâre saying youâre right up there with the greats and they couldnât have gotten anyone better if they tried?â
âIâm saying , no oneâs been down there yet,â I snap. âIâm saying there havenât been many tests or age verifications, and no one knows anything until we get down there and start combing the place. So until then, yeah, teenagers are a great option. Good night.â
I curl myself into the corner, and I feel empty, straight-up miserable. Four chances of friendship down, zero to go. Good job, Ooky. Diligent as ever.
Thereâs this special talent humans have that they can be